Vitruvius, M. Vitruvii ... de architectura libri decem, ad Augustum Caesarem accuratiß conscripti: & nunc primum in Germania qua potuit diligentia excusi, atq[ue] hinc inde schematibus non iniucundis exornati

Table of figures

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[Figure 31]
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[Figure 32]
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[Figure 33]
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[Figure 34]
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[Figure 35]
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[Figure 36]
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[Figure 37]
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[Figure 38]
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[Figure 39]
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[Figure 40]
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[Figure 41]
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[Figure 42]
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[Figure 43]
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[Figure 44]
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[Figure 45]
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[46] K. Acro-tetia. I. Tympa num. A. Sima. B. Coro-na. C. Denti-culus. D. Zopho rus. E. Cymati um. F. Tertia faſcia. G. Secun-da faſcia. H. prima faſcia. A B C D E F G H I K
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[Figure 47]
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[48] Covír@@@ Jo@@@@
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[49] Do@@ca @@@fana
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[50] Copofied
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[51] A. Abacus B. Craßi-tudo imi ſcapi colũ næ. C. Craßi-tudo hypo trachelij. D. Contra ctura frõ-tis abaci. A B C D
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[52] A. Modu-lus ex imi ſcapicolũ næ ſum-ptus. B. Voluta. C. Folium. D. Flos. E. Caulicu li. F. Abacus F D F B E E B C C C C A A
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[Figure 53]
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[Figure 54]
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[Figure 55]
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[Figure 56]
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[Figure 57]
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[Figure 58]
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[59] Proslambano-menos. Hypate hypaton Parhypate hypaton Lichanos hypaton Hypate meſon Parhypate meſon Lichanos meſon Meſe Trite ſynemmenon Paranete ſynemmenon Nete ſynemmenon Parameſe Trite diezeugmenon Paranete diezeugmenon Nete diezeugmenon Trite hyperboleon Paranete hyperboleon Nete hyperboleon BT AH C T D T E AH T F T H AT T S T H AT T H AT T
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[Figure 60]
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        <div xml:id="echoid-div172" type="section" level="1" n="129">
          <pb o="128" file="0182" n="182" rhead="M. VITRVVII"/>
          <p style="it">
            <s xml:id="echoid-s2379" xml:space="preserve">Dicet aliquis forte multa theatra Romæ quotannis facta eſſe, ne ul-
              <lb/>
              <note position="left" xlink:label="note-0182-01" xlink:href="note-0182-01a" xml:space="preserve">Figura, cu
                <lb/>
              ius memi-
                <lb/>
              nit autor.</note>
            lam rationem harumrerũ in his fuiſſe, ſed err auit in eo, quòd omnia pub
              <lb/>
            lica lignea theatra tabulationes habent complures, quas neceſſe est ſonæ
              <lb/>
            re. </s>
            <s xml:id="echoid-s2380" xml:space="preserve">Hoc uero licet animaduertere etiam à citharedis, quiſuperiore tono,
              <lb/>
              <note position="left" xlink:label="note-0182-02" xlink:href="note-0182-02a" xml:space="preserve">T. Tonus.</note>
            cum uolunt canere, aduertunt ſe ad ſcenæ ualuas, & </s>
            <s xml:id="echoid-s2381" xml:space="preserve">ita recipiunt ab ea-
              <lb/>
              <note position="left" xlink:label="note-0182-03" xlink:href="note-0182-03a" xml:space="preserve">H. Hemito
                <lb/>
              nium.</note>
            rum auxilio conſonantiã uocis. </s>
            <s xml:id="echoid-s2382" xml:space="preserve">Cum autem ex ſolidis rebus theatr a con-
              <lb/>
            ſtituuntur, id est ex ſtructura cementorum, lapide, marmore, quæ ſonare
              <lb/>
              <note position="left" xlink:label="note-0182-04" xlink:href="note-0182-04a" xml:space="preserve">A. Diateſ-
                <lb/>
              ſaron.</note>
            non poſſunt, tunc ex his hacratione ſunt explicanda. </s>
            <s xml:id="echoid-s2383" xml:space="preserve">Sin autem quæritur
              <lb/>
            in quo theatro ea ſint facta Romæ, non poſſumus oſtendere, ſedin Italiæ
              <lb/>
              <note position="left" xlink:label="note-0182-05" xlink:href="note-0182-05a" xml:space="preserve">B. Diapẽ-
                <lb/>
              te.</note>
            regionibus, & </s>
            <s xml:id="echoid-s2384" xml:space="preserve">in pluribus græcorum ciuitatibus. </s>
            <s xml:id="echoid-s2385" xml:space="preserve">Etiam{qúe} autoremba-
              <lb/>
            bemus. </s>
            <s xml:id="echoid-s2386" xml:space="preserve">L. </s>
            <s xml:id="echoid-s2387" xml:space="preserve">Mumminum qui diruto theatro Corinthiorum eius ænea Ro-
              <lb/>
              <note position="left" xlink:label="note-0182-06" xlink:href="note-0182-06a" xml:space="preserve">C. Diapa-
                <lb/>
              ſon.</note>
            mam deportauit, & </s>
            <s xml:id="echoid-s2388" xml:space="preserve">de manubijs ad ædem lunæ dedicauit. </s>
            <s xml:id="echoid-s2389" xml:space="preserve">Multi etiam ſo
              <lb/>
            lertes architecti, qui in oppidis non magnis theatra conſtituerunt, pro-
              <lb/>
              <note position="left" xlink:label="note-0182-07" xlink:href="note-0182-07a" xml:space="preserve">D. Diapa
                <lb/>
              ſon & dia
                <lb/>
              teſſaron.</note>
            pter inopiam fictilibus dolijs, ita ſonantibus electis, bac ratiocinations
              <lb/>
            compoſitis, perfecerunt utilißimos effectus.</s>
            <s xml:id="echoid-s2390" xml:space="preserve"/>
          </p>
          <note position="left" xml:space="preserve">E. Diapa-
            <lb/>
          ſon & diæ
            <lb/>
          pente.</note>
        </div>
        <div xml:id="echoid-div174" type="section" level="1" n="130">
          <head xml:id="echoid-head134" xml:space="preserve">DE CONFORMATIONE THEATRI
            <lb/>
          facienda. CAPVT VI.</head>
          <note position="left" xml:space="preserve">F. Diſdia-
            <lb/>
          paſon.</note>
          <p style="it">
            <s xml:id="echoid-s2391" xml:space="preserve">IPSIVS autem theatriconformatio ſic est faciẽda, uti quàm magna
              <lb/>
            futura est perimetros imi, centro medio collocato cir cumagatur li-
              <lb/>
            nearotundationis, inea{qúe} quatuor ſcribantur trigona paribus lateribus
              <lb/>
            & </s>
            <s xml:id="echoid-s2392" xml:space="preserve">interuallis, quæ extremamlimeam circinationis tangant, quibus etiã
              <lb/>
            in duodecim ſignorum cæleſtium deſcriptione Aſtrologi, ex muſica con-
              <lb/>
            uenientia aſtrorum, ratiocinantur.</s>
            <s xml:id="echoid-s2393" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s2394" xml:space="preserve">Exbis trigonis cuius latus fuerit proximum Scenæ, earegione quæ
              <lb/>
            præcidit curuaturam circinationis, ibifiniatur ſcenæ frons, & </s>
            <s xml:id="echoid-s2395" xml:space="preserve">abeoloco
              <lb/>
            per centrum par allelos linea ducatur, quæ diſiungat proſcenij pulpitum.
              <lb/>
            </s>
            <s xml:id="echoid-s2396" xml:space="preserve">& </s>
            <s xml:id="echoid-s2397" xml:space="preserve">orcheſtr æ regionem. </s>
            <s xml:id="echoid-s2398" xml:space="preserve">Ita latius factum fuerit pulpitum, quàm Græco-
              <lb/>
            rum, quòd omnes artifices in ſcenam dant operam. </s>
            <s xml:id="echoid-s2399" xml:space="preserve">In orcheſtra autem
              <lb/>
            ſenatorum ſunt ſedibus loca deſignata, & </s>
            <s xml:id="echoid-s2400" xml:space="preserve">eius pulpiti altitudo ſit ne plus
              <lb/>
            pedum quin, uti qui in orcheſtra ſederint, ſpectare poßint omniũ agen-
              <lb/>
            tium geſtus. </s>
            <s xml:id="echoid-s2401" xml:space="preserve">Cunei ſpectaculorum in theatro ita diuidantur, uti anguli
              <lb/>
            trigonorum, qui currunt circum curuatur am cir cinationis, dirigant </s>
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