Vitruvius, M. Vitruvii ... de architectura libri decem, ad Augustum Caesarem accuratiß conscripti: & nunc primum in Germania qua potuit diligentia excusi, atq[ue] hinc inde schematibus non iniucundis exornati

Table of contents

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[181.] PLATONIS INVENTVM DE AGRO metiendo. CAPTT I.
Page: 260 (206)
[182.] DE NORMA, PYTHAGORICVM INVENTVM ex orthogonij trigoni deformatione. CAP. II.
Page: 261 (207)
[183.] QVOMODO PORTIO ARGENTI AVRO @@ ſta, in integro opere deprchendi diſcerni{qúe} poßit. CAPVT III.
Page: 262 (208)
[184.] ARCHIMEDIS MIRVM INVENTVM QVO. modo deprehendit aurum eſſe mixtum argento.
Page: 263 (209)
[185.] DE GNOMONICIS RATIONIBVS EX RADI-is ſolis per umbraminuentis, & mundo at planetis. CAPVT IIII.
Page: 265 (211)
[186.] DE SOLIS CVRSV PER DVODECIM ſigna. CAP. V.
Page: 270 (216)
[187.] DE SYDERIBVS QVAE SVNT A ZODIA co adſeptentrionem. CAP. VI.
Page: 271 (217)
[188.] DE SYDERIBVS QVAE SVNT A ZODIA-co ad meridiem. CAP. VII.
Page: 273 (219)
[189.] DE HOROLOGIORVM RATIONIBVS ET umbris gnomonum æquinoctiali tempore, Romæ, & nonnullis alijs locis. CAP. VIII.
Page: 274 (220)
[190.] DE HOROLOGIORVM RATIONE, ET VSV, at eorum inuentione, & quibus inuentoribus. CAPVT IX.
Page: 277 (223)
[191.] DE ARCHITECT VRA, LIBER DECIMVS.
Page: 281 (227)
[192.] DE MACHINA QVID SIT, ET EIVS AB OR gano differentia, origine & neceßitate. CAPVT I.
Page: 282 (228)
[193.] DE AEDIVM SACRARVM PVBLICARVM-que operum machinationibus tractorijs. CAPVT II.
Page: 283 (229)
[194.] DE DIVERSIS APPELLATIONIBVS MA chinarum, & quaratione erigantur. CAP. III.
Page: 284 (230)
[195.] SIMILIS SVPERIORI MACHINA, CVI CO. loßicoter atutius committi poſſunt, immutata dumtaxat ſu-culain tympanum. CAP. IIII.
Page: 285 (231)
[196.] ALIARVM MACHINARVM PRO GRA uiorum onerum eleuationibus & remotionibus figura,
Page: 286 (232)
[197.] ALIVD MACHINAE TRACTORIAE genus. CAP. V.
Page: 287 (233)
[198.] MACHINARVM TECTORIARVM AD ONE@ rum eleuationem, tum quibus mouentur celeriter & expeditè, figuræ.
Page: 288 (234)
[199.] INGENIOSA CTESIPHONTIS RATIO AD grauia onera ducenda. CAP. VI.
Page: 289 (235)
[200.] DE INVENTIONE LAPICIDINAE, QVA templum Dianæ Epheſiæ conſtructum est. CAPVT VII.
Page: 290 (236)
[201.] DE PORRECTO ET ROTVNDATIONE machinarum ad onerum leuationes. CAPVT VIII.
Page: 290 (236)
[202.] DE ORGANORVM AD AQVAM HAV-riendam generibus, & primum de tympano. CAPVT IX.
Page: 293 (239)
[203.] ORGANVM TYMPANICVM AD aquam hauriendam.
Page: 294 (240)
[204.] ROTA MODIO LIS CIRCVNDATA CVM quibus altius extollitur aqua.
Page: 295 (241)
[205.] ROTA QVA MAGIS ALTIS LOCIS EXCIPI tur aqua ſitulis congialibus ferrea catena ſufpenſis.
Page: 296 (242)
[206.] DE ROTIS ET TYMPANIS AD MO. lendum farinam. CAP. X.
Page: 297 (243)
[207.] ROTA AD SVMENDVM AQVAM EX fluminibus, apta{qúe} ad molendum farinam.
Page: 297 (243)
[208.] DE COCHLEA QVAE MAGNAM COPI. am extollit auqæ, ſed non tam alte. CAP. XI.
Page: 298 (244)
[209.] DE CTESIBICA MACHINA, QVAE AL tißime extollit aquam. CAP. XII.
Page: 299 (245)
[210.] DE HYDRAVLICIS MACHINIS QVIBVS OR gana perficiuntur. CAP. XIII.
Page: 300 (246)
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          <pb o="128" file="0182" n="182" rhead="M. VITRVVII"/>
          <p style="it">
            <s xml:id="echoid-s2379" xml:space="preserve">Dicet aliquis forte multa theatra Romæ quotannis facta eſſe, ne ul-
              <lb/>
              <note position="left" xlink:label="note-0182-01" xlink:href="note-0182-01a" xml:space="preserve">Figura, cu
                <lb/>
              ius memi-
                <lb/>
              nit autor.</note>
            lam rationem harumrerũ in his fuiſſe, ſed err auit in eo, quòd omnia pub
              <lb/>
            lica lignea theatra tabulationes habent complures, quas neceſſe est ſonæ
              <lb/>
            re. </s>
            <s xml:id="echoid-s2380" xml:space="preserve">Hoc uero licet animaduertere etiam à citharedis, quiſuperiore tono,
              <lb/>
              <note position="left" xlink:label="note-0182-02" xlink:href="note-0182-02a" xml:space="preserve">T. Tonus.</note>
            cum uolunt canere, aduertunt ſe ad ſcenæ ualuas, & </s>
            <s xml:id="echoid-s2381" xml:space="preserve">ita recipiunt ab ea-
              <lb/>
              <note position="left" xlink:label="note-0182-03" xlink:href="note-0182-03a" xml:space="preserve">H. Hemito
                <lb/>
              nium.</note>
            rum auxilio conſonantiã uocis. </s>
            <s xml:id="echoid-s2382" xml:space="preserve">Cum autem ex ſolidis rebus theatr a con-
              <lb/>
            ſtituuntur, id est ex ſtructura cementorum, lapide, marmore, quæ ſonare
              <lb/>
              <note position="left" xlink:label="note-0182-04" xlink:href="note-0182-04a" xml:space="preserve">A. Diateſ-
                <lb/>
              ſaron.</note>
            non poſſunt, tunc ex his hacratione ſunt explicanda. </s>
            <s xml:id="echoid-s2383" xml:space="preserve">Sin autem quæritur
              <lb/>
            in quo theatro ea ſint facta Romæ, non poſſumus oſtendere, ſedin Italiæ
              <lb/>
              <note position="left" xlink:label="note-0182-05" xlink:href="note-0182-05a" xml:space="preserve">B. Diapẽ-
                <lb/>
              te.</note>
            regionibus, & </s>
            <s xml:id="echoid-s2384" xml:space="preserve">in pluribus græcorum ciuitatibus. </s>
            <s xml:id="echoid-s2385" xml:space="preserve">Etiam{qúe} autoremba-
              <lb/>
            bemus. </s>
            <s xml:id="echoid-s2386" xml:space="preserve">L. </s>
            <s xml:id="echoid-s2387" xml:space="preserve">Mumminum qui diruto theatro Corinthiorum eius ænea Ro-
              <lb/>
              <note position="left" xlink:label="note-0182-06" xlink:href="note-0182-06a" xml:space="preserve">C. Diapa-
                <lb/>
              ſon.</note>
            mam deportauit, & </s>
            <s xml:id="echoid-s2388" xml:space="preserve">de manubijs ad ædem lunæ dedicauit. </s>
            <s xml:id="echoid-s2389" xml:space="preserve">Multi etiam ſo
              <lb/>
            lertes architecti, qui in oppidis non magnis theatra conſtituerunt, pro-
              <lb/>
              <note position="left" xlink:label="note-0182-07" xlink:href="note-0182-07a" xml:space="preserve">D. Diapa
                <lb/>
              ſon & dia
                <lb/>
              teſſaron.</note>
            pter inopiam fictilibus dolijs, ita ſonantibus electis, bac ratiocinations
              <lb/>
            compoſitis, perfecerunt utilißimos effectus.</s>
            <s xml:id="echoid-s2390" xml:space="preserve"/>
          </p>
          <note position="left" xml:space="preserve">E. Diapa-
            <lb/>
          ſon & diæ
            <lb/>
          pente.</note>
        </div>
        <div xml:id="echoid-div174" type="section" level="1" n="130">
          <head xml:id="echoid-head134" xml:space="preserve">DE CONFORMATIONE THEATRI
            <lb/>
          facienda. CAPVT VI.</head>
          <note position="left" xml:space="preserve">F. Diſdia-
            <lb/>
          paſon.</note>
          <p style="it">
            <s xml:id="echoid-s2391" xml:space="preserve">IPSIVS autem theatriconformatio ſic est faciẽda, uti quàm magna
              <lb/>
            futura est perimetros imi, centro medio collocato cir cumagatur li-
              <lb/>
            nearotundationis, inea{qúe} quatuor ſcribantur trigona paribus lateribus
              <lb/>
            & </s>
            <s xml:id="echoid-s2392" xml:space="preserve">interuallis, quæ extremamlimeam circinationis tangant, quibus etiã
              <lb/>
            in duodecim ſignorum cæleſtium deſcriptione Aſtrologi, ex muſica con-
              <lb/>
            uenientia aſtrorum, ratiocinantur.</s>
            <s xml:id="echoid-s2393" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s2394" xml:space="preserve">Exbis trigonis cuius latus fuerit proximum Scenæ, earegione quæ
              <lb/>
            præcidit curuaturam circinationis, ibifiniatur ſcenæ frons, & </s>
            <s xml:id="echoid-s2395" xml:space="preserve">abeoloco
              <lb/>
            per centrum par allelos linea ducatur, quæ diſiungat proſcenij pulpitum.
              <lb/>
            </s>
            <s xml:id="echoid-s2396" xml:space="preserve">& </s>
            <s xml:id="echoid-s2397" xml:space="preserve">orcheſtr æ regionem. </s>
            <s xml:id="echoid-s2398" xml:space="preserve">Ita latius factum fuerit pulpitum, quàm Græco-
              <lb/>
            rum, quòd omnes artifices in ſcenam dant operam. </s>
            <s xml:id="echoid-s2399" xml:space="preserve">In orcheſtra autem
              <lb/>
            ſenatorum ſunt ſedibus loca deſignata, & </s>
            <s xml:id="echoid-s2400" xml:space="preserve">eius pulpiti altitudo ſit ne plus
              <lb/>
            pedum quin, uti qui in orcheſtra ſederint, ſpectare poßint omniũ agen-
              <lb/>
            tium geſtus. </s>
            <s xml:id="echoid-s2401" xml:space="preserve">Cunei ſpectaculorum in theatro ita diuidantur, uti anguli
              <lb/>
            trigonorum, qui currunt circum curuatur am cir cinationis, dirigant </s>
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