Vitruvius Pollio, I dieci libri dell?architettura, 1567

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                <p type="main">
                  <s id="s.003522">
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                  eſſere di quattro colonne, ſia diuiſa in parti uentiſette. </s>
                  <s id="s.003523">ma ſe ſarà di ſei colonne, ſia partita
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                  in parti quarantadue. </s>
                  <s id="s.003524">Di queſte parti una ſarà il modulo, che Grecamente Embatis è det
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                  to, & è quello, per la cui conſtitutione diſcorrendo, & ragionando ſi fanno i comparti­
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                  menti d'ogni opera. </s>
                  <s id="s.003525">La groſſezza delle colonne farà di due moduli, l'altezza con il capi­
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                  tello di quattordici. </s>
                </p>
                <p type="main">
                  <s id="s.003526">
                    <emph type="italics"/>
                  In queſto luogo ſi deue por mente, che ſe bene Vitr. ha detto, che nella maniera Diaſtilos i ua
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                  ni ſono di tre groſſezze di colonne; non però nella diſtributione preſente cadeno ne i uani tre groſ­
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                  ſezze di colonne a punto, ma due, & tre quarti: però douemo auuertire, (ſi come di ſopra auuer
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                  tito hauemo) che quando Vitr. nel terzo libro ragiona de gli ſpatij tra colonna & colonna, in
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                  tutte le forme, o di ſpeſſe, o di larghe, o di libere diſtanze, egli uſa queſti termini. </s>
                  <s id="s.003527">puo eſſer. </s>
                  <s id="s.003528">ſi
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                  puo porre. </s>
                  <s id="s.003529">potemo tramettere. </s>
                  <s id="s.003530">& non dice ſi deue porre, douemo tramettere, o deue eſſere
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                  lo ſpatio di tante colonne: perche non ci comanda, come egli fa nell'aſpetto ſcielto, & elegante,
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                  dicendo
                    <emph.end type="italics"/>
                  {
                    <emph type="italics"/>
                  perche fare ſi deono gli ſpatij de gli intercolunnij di due colonne, & un quarto.
                    <emph.end type="italics"/>
                  }
                    <emph type="italics"/>
                  par­
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                  lando adunque indeterminatamente Vitr. non è neceſſario, che apunto uenghino tre diametri tra
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                  colonna, & colonna in queſta diſtributione. </s>
                  <s id="s.003531">Dapoi queſto egli ſi deue auuertire, che ſopra gli
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                  anguli uengono meze metope, ma non di fatto meze apunto, ſe bene Vitr. dice ſemimetopia; per
                    <lb/>
                  che egli anche dice, ſemimetopia, per la metà d'un modulo in larghezza, che è ſemitriglifo apun
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                  to, come egli dirà di ſotto. </s>
                  <s id="s.003532">Et però ſi dice meza metopa, al modo, che ſi dice ſemituono, o ſemi­
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                  uocale, non che ſia mezo tuono a punto, o meza uocale, ma perche è una coſa tra gli eſtremi. </s>
                  <s id="s.003533">
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                  Da queſta intelligenza ne naſee, che la fronte di quattro colonne ha da eſſer diuiſa in uentiſette
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                  parti, & la fronte di ſei colonne in quaranta due, & che con la ragione di queſte ſi puo regolare
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                  le fronti di otto, & di dieci colonne. </s>
                  <s id="s.003534">Noi poneremo qui ſotto la diſtributione, con gli Triglifi nu
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                  di, & gli ſpatij tra le colonne, perche poi con uno, o due eſſempi dello inpiè, ſi darà notitia di
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                  queſta diſtributione. </s>
                  <s id="s.003535">A me piacerebbe, che la colonna fuſſe alta quattordici moduli, ſenza il
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                  capitello per approſſimarſi piu a quello, che ha detto Vitr. nel terzo libro, che nell'aſpetto diaſti
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                  los le altezze delle colonne ſono di otto teſte, & meza. </s>
                  <s id="s.003536">ma ſeguitiamo il maeſtro.
                    <emph.end type="italics"/>
                  </s>
                </p>
                <p type="main">
                  <s id="s.003537">La groſſezza del capitello d'un modulo. </s>
                  <s id="s.003538">La larghezza di due moduli, & della ſeſta par­
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                  te di uno </s>
                </p>
                <p type="main">
                  <s id="s.003539">
                    <emph type="italics"/>
                  Rieſce meglio, della quinta parte, come ho detto. </s>
                  <s id="s.003540">il reſtante è facile per la dichiaratione fat­
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                  ta da noi nel terzo libro.
                    <emph.end type="italics"/>
                  </s>
                </p>
                <p type="main">
                  <s id="s.003541">Diuidaſi la groſſezza del Capitello in tre parti, d'una delle quali ſi faccia l'Abaco con
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                  la Cimaſa. </s>
                  <s id="s.003542">dell'altra l'Ouolo con le anella. </s>
                  <s id="s.003543">della terza il fregio fin al collarino. </s>
                  <s id="s.003544">Sia poi
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                  contratta, & raſtremata la colonna, ſi come nel terzo libro è ſtato nelle Ioniche dimoſtra
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                  to. </s>
                  <s id="s.003545">l'altezza dello Architraue ſia d'un modulo, ponendoui la ſua liſta, & le goccie: & la
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                  liſta ſia per la ſettima parte del modulo. </s>
                  <s id="s.003546">La lunghezza delle goccie ſotto la liſta per mezo
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                  gli Triglifi, alta con la regoletta penda inanzi per la ſeſta parte d'uno modulo, & coſi la
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                  larghezza del piano inferiore dello architraue riſponda al collarino della colonna di ſo­
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                  pra. </s>
                  <s id="s.003547">Sopra lo architraue ſi deono porre gli Triglifi con le metope ſue, larghi nella fron­
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                  te un modulo, coſi diuiſi, che nelle colonne angulari, & nelle di mezo ſiano contra il me
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                  zo delli quadri, & tra gli altri uani due: ma in quelli di mezo dinanzi, & di dietro il Tem
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                  pio tre: & a queſto modo allargati gli ſpacij di mezo ſenza impedimento ſarà commoda
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                  l'entrata a i ſimulacri de gli Dei. </s>
                  <s id="s.003548">Partiſcaſi poi la larghezza dello Triglifo in parti ſei, del­
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                  le quali ne ſiano cinque nel mezo, ma due meze ſiano diſegnate dalla deſtra, & dalla ſini­
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                  ſtra, & con una regola nelmezo ſia formato il piano, che femur latinamente &, miros, è det­
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                  to da Greci. </s>
                  <s id="s.003549">lungo quella regola con la punta della ſquadra ſiano riuolti i mezi canaletti. </s>
                  <s id="s.003550">po
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                  ſti gli Triglifi a queſto modo, ſiano le metope, che uanno tra gli Triglifi
                    <expan abbr="tãto">tanto</expan>
                  alte, quanto
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                  lunghe. </s>
                  <s id="s.003551">Et appreſſo di ſopra le
                    <expan abbr="cãtonate">cantonate</expan>
                  ſiano le meze metope impreſſe per la metà d'un mo
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                  dulo. </s>
                  <s id="s.003552">perche facédoſi a queſto modo auuerrà, che tutti i difetti, & errori sì delle metope, co </s>
                </p>
              </subchap2>
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          </chap>
        </body>
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    </archimedes>
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