Vitruvius
,
De architectura libri decem
,
1567
Text
Text Image
Image
XML
Thumbnail overview
Document information
None
Concordance
Notes
Handwritten
Figures
Content
Thumbnails
Page concordance
<
1 - 30
31 - 60
61 - 90
91 - 120
121 - 150
151 - 180
181 - 210
211 - 240
241 - 270
271 - 300
301 - 330
331 - 360
361 - 390
391 - 412
>
Scan
Original
61
29
62
30
63
31
64
32
65
33
66
34
67
35
68
36
69
37
70
38
71
39
72
40
73
41
74
42
75
43
76
44
77
45
78
46
79
47
80
48
81
49
82
50
83
51
84
52
85
53
86
54
87
55
88
56
89
57
90
58
<
1 - 30
31 - 60
61 - 90
91 - 120
121 - 150
151 - 180
181 - 210
211 - 240
241 - 270
271 - 300
301 - 330
331 - 360
361 - 390
391 - 412
>
page
|<
<
(183)
of 412
>
>|
<
echo
version
="
1.0RC
">
<
text
xml:lang
="
la
"
type
="
free
">
<
div
xml:id
="
echoid-div1
"
type
="
section
"
level
="
1
"
n
="
1
">
<
div
xml:id
="
echoid-div482
"
type
="
section
"
level
="
2
"
n
="
81
">
<
p
style
="
it
">
<
s
xml:id
="
echoid-s14101
"
xml:space
="
preserve
">
<
pb
o
="
183
"
file
="
514.01.215
"
n
="
215
"
rhead
="
QVINTVS.
"/>
on est igitur, quod inter concentus numeretur diapaſon cum diateſſaron. </
s
>
<
s
xml:id
="
echoid-s14102
"
xml:space
="
preserve
">Sed diapaſon, ad diapente conſonan-
<
lb
/>
tia eſt, & </
s
>
<
s
xml:id
="
echoid-s14103
"
xml:space
="
preserve
">a noſtris duodecima nominatur, & </
s
>
<
s
xml:id
="
echoid-s14104
"
xml:space
="
preserve
">tripla proportione constat. </
s
>
<
s
xml:id
="
echoid-s14105
"
xml:space
="
preserve
">Oritur enim ex dupla, & </
s
>
<
s
xml:id
="
echoid-s14106
"
xml:space
="
preserve
">ſexquialte-
<
lb
/>
ra. </
s
>
<
s
xml:id
="
echoid-s14107
"
xml:space
="
preserve
">ſupra huiuſmodi concentum eſt diapaſon diapente cum tono, ſed concentus non eſt, licet ſuauiter aures per-
<
lb
/>
tingat. </
s
>
<
s
xml:id
="
echoid-s14108
"
xml:space
="
preserve
">Eſt tandem diſdiapaſon conſonantia, quæ quintadecima nominatur, quadrupla comparatione conſtans,
<
lb
/>
ex duabus duplicibus orta, in qua tandem antiqui conſtitere, & </
s
>
<
s
xml:id
="
echoid-s14109
"
xml:space
="
preserve
">poſtremum perfectæ ordinationis gradum po-
<
lb
/>
ſuere. </
s
>
<
s
xml:id
="
echoid-s14110
"
xml:space
="
preserve
">hanc igitur nos in monochordo cum cæteris ita collocamus. </
s
>
<
s
xml:id
="
echoid-s14111
"
xml:space
="
preserve
">Eſto neruus a b. </
s
>
<
s
xml:id
="
echoid-s14112
"
xml:space
="
preserve
">in quatuor æqu is partes
<
lb
/>
diſtributus, cuius quarta pars c. </
s
>
<
s
xml:id
="
echoid-s14113
"
xml:space
="
preserve
">notetur. </
s
>
<
s
xml:id
="
echoid-s14114
"
xml:space
="
preserve
">a termino, & </
s
>
<
s
xml:id
="
echoid-s14115
"
xml:space
="
preserve
">nota c, uerſus b, tantum progredere, ut tertiam
<
lb
/>
nerui partem inuenias, quam d, litera notabis. </
s
>
<
s
xml:id
="
echoid-s14116
"
xml:space
="
preserve
">a d, vero uerſus b, dimidium nerui quærito, quo inuento
<
lb
/>
nota e, inde ad duas tertias totius nerui uerſus b, ſignato f, indeq́; </
s
>
<
s
xml:id
="
echoid-s14117
"
xml:space
="
preserve
">demum ad tres quartas progredien-
<
lb
/>
<
note
position
="
left
"
xlink:label
="
note-514.01.215-01
"
xlink:href
="
note-514.01.215-01a
"
xml:space
="
preserve
">10</
note
>
do ſignato g, tunc dico te iam monochordum diſtribuiſſe ſecundum prædictos omnes concentus, nam a b,
<
lb
/>
& </
s
>
<
s
xml:id
="
echoid-s14118
"
xml:space
="
preserve
">c b, reddent diateſſaron. </
s
>
<
s
xml:id
="
echoid-s14119
"
xml:space
="
preserve
">a b, & </
s
>
<
s
xml:id
="
echoid-s14120
"
xml:space
="
preserve
">d b, diapente, a b, & </
s
>
<
s
xml:id
="
echoid-s14121
"
xml:space
="
preserve
">c b, diapaſon. </
s
>
<
s
xml:id
="
echoid-s14122
"
xml:space
="
preserve
">a b, & </
s
>
<
s
xml:id
="
echoid-s14123
"
xml:space
="
preserve
">f b, dia-
<
lb
/>
paſon cum diapente, & </
s
>
<
s
xml:id
="
echoid-s14124
"
xml:space
="
preserve
">a b, & </
s
>
<
s
xml:id
="
echoid-s14125
"
xml:space
="
preserve
">g c, diſdiapaſon. </
s
>
<
s
xml:id
="
echoid-s14126
"
xml:space
="
preserve
">quemadmodum figura oſtendit, in qua omiſſis literis, nu-
<
lb
/>
meros appoſuimus. </
s
>
<
s
xml:id
="
echoid-s14127
"
xml:space
="
preserve
">24, totus neruus, 18, 16. </
s
>
<
s
xml:id
="
echoid-s14128
"
xml:space
="
preserve
">12. </
s
>
<
s
xml:id
="
echoid-s14129
"
xml:space
="
preserve
">8. </
s
>
<
s
xml:id
="
echoid-s14130
"
xml:space
="
preserve
">6. </
s
>
<
s
xml:id
="
echoid-s14131
"
xml:space
="
preserve
">per c. </
s
>
<
s
xml:id
="
echoid-s14132
"
xml:space
="
preserve
">6 per d 8, per e 12, pro f 16,
<
lb
/>
pro g 18, & </
s
>
<
s
xml:id
="
echoid-s14133
"
xml:space
="
preserve
">extremo loco a, & </
s
>
<
s
xml:id
="
echoid-s14134
"
xml:space
="
preserve
">b. </
s
>
<
s
xml:id
="
echoid-s14135
"
xml:space
="
preserve
">Appoſita eſt etiam deſcriptio concentuum ſecundum notulas a no-
<
lb
/>
ſtris uſurpatas, quæ omnia Vitruuij mente ex Ariſtoxeni ſententia declarantur, nam concentus a numero no-
<
lb
/>
mina acceperunt, ut dicit Vitr.</
s
>
<
s
xml:id
="
echoid-s14136
"
xml:space
="
preserve
"/>
</
p
>
<
p
>
<
s
xml:id
="
echoid-s14137
"
xml:space
="
preserve
">
<
emph
style
="
sc
">Ideo</
emph
>
q́; </
s
>
<
s
xml:id
="
echoid-s14138
"
xml:space
="
preserve
">& </
s
>
<
s
xml:id
="
echoid-s14139
"
xml:space
="
preserve
">a numero nomina receperunt, quæ cum uox conſtiterit in una ſonorum finitione, ab
<
lb
/>
eaq́; </
s
>
<
s
xml:id
="
echoid-s14140
"
xml:space
="
preserve
">ſe flectens mutauerit, & </
s
>
<
s
xml:id
="
echoid-s14141
"
xml:space
="
preserve
">peruenerit in quartam terminationem, appellatur diateſſaron; </
s
>
<
s
xml:id
="
echoid-s14142
"
xml:space
="
preserve
">in quintã,
<
lb
/>
diapente; </
s
>
<
s
xml:id
="
echoid-s14143
"
xml:space
="
preserve
">in octauam, diapaſon; </
s
>
<
s
xml:id
="
echoid-s14144
"
xml:space
="
preserve
">in octauam & </
s
>
<
s
xml:id
="
echoid-s14145
"
xml:space
="
preserve
">dimidiam, diapaſon, & </
s
>
<
s
xml:id
="
echoid-s14146
"
xml:space
="
preserve
">diateſſaron; </
s
>
<
s
xml:id
="
echoid-s14147
"
xml:space
="
preserve
">in nonam, & </
s
>
<
s
xml:id
="
echoid-s14148
"
xml:space
="
preserve
">dimi-
<
lb
/>
<
note
position
="
left
"
xlink:label
="
note-514.01.215-02
"
xlink:href
="
note-514.01.215-02a
"
xml:space
="
preserve
">20</
note
>
diam, diapaſon, & </
s
>
<
s
xml:id
="
echoid-s14149
"
xml:space
="
preserve
">diapente. </
s
>
<
s
xml:id
="
echoid-s14150
"
xml:space
="
preserve
">in quintamdecimam, diſdiapaſon. </
s
>
<
s
xml:id
="
echoid-s14151
"
xml:space
="
preserve
">Non enim inter duo interualla cum
<
lb
/>
chordarum ſonitus, aut uocis cantus factus fuerit, nec in tertia, aut ſexta, aut ſeptima poſſunt conſo-
<
lb
/>
nantiæ fieri, ſed ( ut ſupra ſcriptum eſt ) diateſſaron, & </
s
>
<
s
xml:id
="
echoid-s14152
"
xml:space
="
preserve
">diapente, ex ordine ad diſdiapaſon conuenien-
<
lb
/>
tes ex natura uocis congruentis habent finitiones, & </
s
>
<
s
xml:id
="
echoid-s14153
"
xml:space
="
preserve
">ei concentus procreantur ex coniunctione ſoni-
<
lb
/>
tuum qui Græcè phtongi dicuntur.</
s
>
<
s
xml:id
="
echoid-s14154
"
xml:space
="
preserve
"/>
</
p
>
<
figure
number
="
80
">
<
caption
xml:id
="
echoid-caption29
"
style
="
it
"
xml:space
="
preserve
">Hæc iam nota ſunt ex prædictis, & ex ſequenti figuratione.</
caption
>
<
description
xml:id
="
echoid-description49
"
xml:space
="
preserve
">Diateſſaron
<
lb
/>
quarta
<
lb
/>
ſeſquitertia
<
lb
/>
Diapente
<
lb
/>
quinta
<
lb
/>
ſeſquialtera.
<
lb
/>
Semitonium cum diapente.
<
lb
/>
Sexta minor
<
lb
/>
Tonus cum diapente
<
lb
/>
Sexta maior.
<
lb
/>
Semiditonus cum diapente
<
lb
/>
Septima minor.
<
lb
/>
Diapaſon
<
lb
/>
octaua
<
lb
/>
diſdiapaſon.
<
lb
/>
diapaſon con diapente
<
lb
/>
diapaſon
<
lb
/>
diapente
<
lb
/>
diateſſaron</
description
>
<
variables
xml:id
="
echoid-variables50
"
xml:space
="
preserve
">18 16 12 8 6</
variables
>
</
figure
>
</
div
>
<
div
xml:id
="
echoid-div487
"
type
="
section
"
level
="
2
"
n
="
82
">
<
head
xml:id
="
echoid-head85
"
style
="
it
"
xml:space
="
preserve
">De Theatris uaſis # Cap. V.</
head
>
<
p
>
<
s
xml:id
="
echoid-s14155
"
xml:space
="
preserve
">T
<
emph
style
="
sc
">Ta</
emph
>
ex his indagationibus mathematicis rationibus fiunt vaſa ærea pro ratione magnitu-
<
lb
/>
dinis theatri, eaq́; </
s
>
<
s
xml:id
="
echoid-s14156
"
xml:space
="
preserve
">ita fabricentur, ut cum tanguntur, ſonitum facere poſsint inter ſe, dia-
<
lb
/>
teſſaron, diapente, ex ordine ad diſdiapaſon.</
s
>
<
s
xml:id
="
echoid-s14157
"
xml:space
="
preserve
"/>
</
p
>
<
p
style
="
it
">
<
s
xml:id
="
echoid-s14158
"
xml:space
="
preserve
">Postquam innotuit nobis qua proportione ſinguli concentus efficiantur, uolentes ea uaſa
<
lb
/>
ærea ordinare, quæ ſolebant antiqui in theatris diſponere, ut uox recitantium clara, iucundaq́; </
s
>
<
s
xml:id
="
echoid-s14159
"
xml:space
="
preserve
">perciperetur:
<
lb
/>
</
s
>
<
s
xml:id
="
echoid-s14160
"
xml:space
="
preserve
">Vitruuius primum declarat quomodo aptentur, & </
s
>
<
s
xml:id
="
echoid-s14161
"
xml:space
="
preserve
">qua ratione temperentur, & </
s
>
<
s
xml:id
="
echoid-s14162
"
xml:space
="
preserve
">quos effectus efficiant. </
s
>
<
s
xml:id
="
echoid-s14163
"
xml:space
="
preserve
">Quod
<
lb
/>
igitur ad temperamentum attinet, inquit, ita eſſe facienda, ut cum tanguntur uel a uoce, uel ab aliquo icta
<
lb
/>
inter ſe concinant diateſſaron, & </
s
>
<
s
xml:id
="
echoid-s14164
"
xml:space
="
preserve
">diapente, eatamen conditione, ut diateſſaron, & </
s
>
<
s
xml:id
="
echoid-s14165
"
xml:space
="
preserve
">diapente ad diſdiapaſon
<
lb
/>
<
note
position
="
left
"
xlink:label
="
note-514.01.215-03
"
xlink:href
="
note-514.01.215-03a
"
xml:space
="
preserve
">60</
note
>
</
s
>
</
p
>
</
div
>
</
div
>
</
text
>
</
echo
>
