Vitruvius Pollio, I dieci libri dell?architettura, 1567

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                <pb pagenum="288" xlink:href="045/01/302.jpg"/>
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                  <s id="s.005404">
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                  l'acqua allargo nel cortile. </s>
                  <s id="s.005405">Ma che Vitr. intenda per queſto nome de Interpenſiui, i trauicelli ap­
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                  poggiati di ſopra, & non poſti di ſotto per ſoſtenimento delle traui, che trapaſſano per la larghez­
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                  za dello Atrio (come uogliono alcuni) egli ſi uede per le parole, che egli dice di ſotto parlando
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                  de i Cauedi Tetraſtili: dicendo, che le traui non ſono caricate da gli Interpenſiui. </s>
                  <s id="s.005406">Segno adun­
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                  que è che gl' Interpenſiui caricano, & ſtanno di ſopra: & ſe ſoſteneſſero, non ſi chiamerebbeno
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                  Interpenſiui. </s>
                  <s id="s.005407">Queſti Cauedi non haueuano portico a torno, & il loro piouere era ſemplicißimo,
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                  & ueniua molto inanzi gettando l'acque molto lontane da i pareti. </s>
                  <s id="s.005408">La ſeconda maniera è det­
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                  ta Corinthia, & non è differente quanto al uenir in fuori delle traui, & del piouere dalla Toſca­
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                  na: Ma è ben differente, perche le traui, che uengono da i pareti dalla larghezza dell' Atrio ſo­
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                  no ſopra colonne, che uanno d'intorno al Cauedio. </s>
                  <s id="s.005409">Come dimoſtra la pianta, & la figura, O,
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                  laqual ancho ci ſerue al primo Cauedio, per la ſimiglianza che ha il Cauedio Corinthio con lo
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                  Toſcano; intendendo però che nel Toſcano non ci ſiano colonne. </s>
                  <s id="s.005410">La terza maniera è detta
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                  Tetraſtilos, cioè di quattro colonne, & è molto forte, nè ha molto carico, perche non ci ſono gli
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                  Interpenſiui. </s>
                  <s id="s.005411">Queſto Cortile non doueua eſſer molto grande, imperoche hauendo ſolo quattro co­
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                  lonne, & quelle ſopra le cantonate, ſe fuſſe ſtato molto lungo, o largo, gli ſpacij trale colonne ſa­
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                  rebbeno ſtati fuori di modo, & la opera non ſarebbe ſtata ferma (come dice Vitru.) La quarta
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                  maniera è detta Diſpluuiata, cioè quella, che ſta in due pioueri fatta di traui poſti come una ſeſta
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                  aperta in piedi, che Deliquiæ ſi chiamano. </s>
                  <s id="s.005412">Queſti hanno due cadimenti dell' acque, però che una
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                  parte pioue uerſo i cortili, l'altra dall' altra parte difuori: & qui ci naſce un difetto, perche l'ac­
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                  qua, che cade per li canali, non puo coſi preſto entrare nelle canne, che Fiſtule ſi chiamano, &
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                  ſu le bocche s'ingorgano, & ſoprabondando ſi ſparge, & uien giu per li pareti, & col tempo gua­
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                  ſta i ſottogrondali, & le fineſtre, & i legnami, che poi difficilmente s'acconciano; banno però que­
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                  ſto commodo, che non impediſceno i lumi alle ſtanze doue ſi mangia; & la ragione è perche il
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                  loro tetto non uiene troppo in fuori col piouere, ma pende dolcemente, & il lume non è impedito. </s>
                  <s id="s.005413">
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                  però ancho ſe io uoleſſe dire che gli Atrij fuſſero detti dal color Atro, io direi, che il piouere, che
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                  ſporta molto in fuori, fa quegli ombroſi, & oſcuri. </s>
                  <s id="s.005414">ma forſe Atrium puo uenir dal Greco, & ſi­
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                  gnificare un luogo, che non ha uia che uolga. </s>
                  <s id="s.005415">La quinta maniera ſi chiama Teſtudinata fatta in
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                  quattro pioueri. </s>
                  <s id="s.005416">penſo io, che queſti fuſſero coperti, & che di ſopra haueſſero le ſale, & le ſtan­
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                  ze ſpacioſe, & i palchi ſoſtentati da belliſſimi colonnati, che dinanzi alle porte faceſſero moſtra
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                  di belle loggie, che per ueſtibuli ſeruiſſero, o che nell' entrate haueſſero colonne compartite a mo­
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                  do, che deſſero grandezza & bellezza. </s>
                  <s id="s.005417">puo ancho eſſer, che queſti cauedi fuſſero di caſe ordina­
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                  rie, & di perſone di mediocre conditione, nellequali non erano Atrij, ne colonnati; ſe forſe non
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                  uogliamo dire, che Atrij ſi chiamaſſero quelle entrate; ilche niuno uieta, che coſi egli non s'in­
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                  tenda.
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                  </s>
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              </subchap2>
              <subchap2>
                <p type="head">
                  <s id="s.005418">
                    <emph type="italics"/>
                  Degli Atrij, alle Tablini. </s>
                  <s id="s.005419">Cap. IIII.
                    <emph.end type="italics"/>
                  </s>
                </p>
                <p type="main">
                  <s id="s.005420">LE lunghezze ueramente, & le larghezze de gli Atrij, a tre modi ſi formano. </s>
                  <s id="s.005421">Pri
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                  ma partendo la lunghezza loro in cinque parti, & dandone tre alla larghezza. </s>
                  <s id="s.005422">
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                  Poi partendo in tre, & dandone due: finalmente ponendo la larghezza in un
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                  quadro perfetto, & tirando la diagonale, la lunghezza, della quale darà la
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                  lunghezza dello Atrio. </s>
                </p>
                <p type="main">
                  <s id="s.005423">
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                  Io non diuiderei con nuouo capo questa parte de gli Atrij dal capitoloprecedente, perche l'A­
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                  trio ua col Cauedio, & ancho il modo del parlare, che uſa Vitru. lo dimoſtra, dicendo, Atriorum
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                  uero longitudines. </s>
                  <s id="s.005424">L'Atrio è quella parte prima a chi entra dentro in caſa, & è luogo coperto,
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                  ha la porta principale nel mezo, a dirimpetto della quale in fronte ſono le porte, che uanno ne i
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                  Periſtili paſſando prima per alcuni altri luoghi, che Tablini ſi chiamano: ha dalla deſtra, & dal­
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                  la ſiniſtra le ale, che Pteromata in Greco ſi chiamano. </s>
                  <s id="s.005425">Che lo Atrio ſia la prima parte lo dimo-
                    <emph.end type="italics"/>
                  </s>
                </p>
              </subchap2>
            </subchap1>
          </chap>
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    </archimedes>
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