Vitruvius
,
L. Victrvvii Pollionis ad Cesarem Avgvstvm De architectvra
,
1490
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Peripatè. </
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<
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<
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<
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</
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<
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<
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<
s
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xml:space
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">. Ea autem qua mouentur recipiunt untutes alias. </
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<
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Interualla enim & </
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<
s
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xml:space
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">diſtantias habent creſcentes. </
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<
s
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">Itaꝙ parhypate: </
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<
s
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">q́
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in harmonia diſtat ab hypate hemitonium in chromata mutata
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habet. </
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<
s
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xml:space
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">Hemitoniú qui lycanos ĩ harmonia dicit{ur} ab hipate diſ@at
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hemitoniú ĩ chroma tranſlatú progredit{ur} duo hemitonia. </
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<
s
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xml:space
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">In diato
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no diſtat ab hipate tria hemitonia Ita decem ſonitus ꝓpter tranſla
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tiones in generibus efficiút triplicē modulationū uarietatē. </
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<
s
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">Tetra
<
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corda ſūt quin Primú grauiſſimú quod grece dicit{ur} hypaton. </
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<
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xml:space
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">Se
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cundú medianú qđ appellatur meſon. </
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<
s
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xml:space
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">Tertiú cóiunctum quod ſi
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nezeu gmenon dicit{ur}. </
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<
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xml:space
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">Quartú diſiunctú qđ ditzeugmenon noiat{ur}
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/>
Quintú quod eſt acutiſſimü græce hyperboleon dicct{ur}. </
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<
s
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xml:space
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">Concētus
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quos natura hominis modulari pót græce ſymphonie dicuntur
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ſunt ſex. </
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<
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">Diateſſaron. </
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">Diapente. </
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<
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<
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xml:space
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">& </
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<
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">Diſ
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diapente. </
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xml:space
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">& </
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<
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">Diſdiapaſon. </
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">Ideo & </
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<
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">a numero noia cæperút ꝙ cum
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uox conſtiterit in una ſono℞ finitione. </
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<
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">ab eaꝗ̃ ſe flectens mutaue
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r@t & </
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<
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">peruenerit in quartam terminationē appellat{ur} diateſſaron. </
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<
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">In
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quintam diapēte. </
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<
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">In ſextam diapaſon. </
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<
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xml:space
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">& </
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<
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">in octauam & </
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">dimidiam
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diapaſon & </
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">diateſſeion. </
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">dimidiam diapaſon & </
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te. </
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">Non eni inter duo intẽuall@ cum cordai ú
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ſonicus aut uocis factus cantus fuerit: </
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">nec in tertia aut ſexta aut ſe
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ptima pńt conſonantie fieri. </
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<
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& </
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">ex ordine diapaſon cóucnientie ex ntura uocis con
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gruentis habet finitiones: </
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<
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">& </
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<
s
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">ei conuentus piocteant{ur} ex cólunctio
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ne ſonituum qui græce pthongi dicuntur.</
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<
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</
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<
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<
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"># Ta ex his indagatióibus mathematicis fiant uaſa ærea
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i # pro ratione magnitudinis theatri : </
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<
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# ut cú tangant{ur} lonitú facere poſſint inter ſe diateſſaron
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diapente ex ordine ad diapaſon. </
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<
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tis cellis tatione muſica ibi collocent{ur} : </
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<
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">ita ut nullú pariet@ tangāt.
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</
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<
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<
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<
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">a ſummo capite ſpatium : </
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<
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tur inuerſa. </
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<
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">habeant in parte quæ ſpectat ad ſcenā ſuppoſitos
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cuncos minus altos ſemipede, cótra eas cellas relinquant{ur} </
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