Vitruvius, I Dieci Libri dell' Architettvra di M. Vitrvvio, 1556

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        <div xml:id="echoid-div49" type="section" level="1" n="5">
          <p style="it">
            <s xml:id="echoid-s1938" xml:space="preserve">
              <pb o="20" file="0024" n="24" rhead="LIBRO"/>
            eſpreße nelle carte, ne uiene quello effetto ſcelto, & </s>
            <s xml:id="echoid-s1939" xml:space="preserve">elegante, che nella compoſitione dell’ opera ſi richiede, poſto nella Diſpoſitione, & </s>
            <s xml:id="echoid-s1940" xml:space="preserve">
              <lb/>
            però dice Vitr.</s>
            <s xml:id="echoid-s1941" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s1942" xml:space="preserve">Le Idee della Diſpoſitione ſon queſte; </s>
            <s xml:id="echoid-s1943" xml:space="preserve">la Pianta, l’Eleuatione, il Profilo, & </s>
            <s xml:id="echoid-s1944" xml:space="preserve">diffiniſce ciaſcuna dicendo.</s>
            <s xml:id="echoid-s1945" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s1946" xml:space="preserve">La deſcrittione della Pianta, è moderato uſo del compaſſo, & </s>
            <s xml:id="echoid-s1947" xml:space="preserve">della ſquadra, dal quale ſi piglia il diſſegno delle forme nei piani. </s>
            <s xml:id="echoid-s1948" xml:space="preserve">Icnographia è
              <lb/>
            detta la deſcrittione della pianta; </s>
            <s xml:id="echoid-s1949" xml:space="preserve">in queſta mirabilmente ſi ricerca l’uſo del compaſſo, & </s>
            <s xml:id="echoid-s1950" xml:space="preserve">della regola come ſi uedrà nelle piante dei Theatri,
              <lb/>
            & </s>
            <s xml:id="echoid-s1951" xml:space="preserve">altri edificij, nella Icnographia è il naſcimento dell’opera, nell’Eleuatione il creſcimento, ne Profilo la compiuta perſettione, quanto ap-
              <lb/>
            pertiene alla forma dell’opera che ſi deue fare, & </s>
            <s xml:id="echoid-s1952" xml:space="preserve">però dice Vitr.</s>
            <s xml:id="echoid-s1953" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s1954" xml:space="preserve">La deſcrittione del dritto, el’imagine eleuata della fronte, & </s>
            <s xml:id="echoid-s1955" xml:space="preserve">figura con modo dipinta con le ragioni dell’opere, che ſi
              <lb/>
            dee fare.</s>
            <s xml:id="echoid-s1956" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s1957" xml:space="preserve">Io farò auuertito in queſto luogo il diligente lettore, che Vitr. </s>
            <s xml:id="echoid-s1958" xml:space="preserve">eſponendo & </s>
            <s xml:id="echoid-s1959" xml:space="preserve">dichiarando le nature, & </s>
            <s xml:id="echoid-s1960" xml:space="preserve">le propietà delle ſeicoſe predette, uiene à
              <lb/>
            confermar quelle che appartengono alla cognitione dell’ Architetto, perciò che ſi uede nella Diſpoſitione, & </s>
            <s xml:id="echoid-s1961" xml:space="preserve">nelle Idee quanto utile ſia il diſſe-
              <lb/>
              <note position="left" xlink:label="note-0024-01" xlink:href="note-0024-01a" xml:space="preserve">10</note>
            gno, & </s>
            <s xml:id="echoid-s1962" xml:space="preserve">la Geometria, ſi uede nell’Ordine quanto commodo ſia l’Arithmetica, & </s>
            <s xml:id="echoid-s1963" xml:space="preserve">uedrasſi nell’ altre parti quanto ſarà à propoſito la Proſpet
              <lb/>
            tiua, la Muſica, & </s>
            <s xml:id="echoid-s1964" xml:space="preserve">quelle coſe, che all’hiſtoria, & </s>
            <s xml:id="echoid-s1965" xml:space="preserve">al’altre qualità dell’ Architetto ſon conuenienti.</s>
            <s xml:id="echoid-s1966" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s1967" xml:space="preserve">La Eleuatione è imagine della Fronte, & </s>
            <s xml:id="echoid-s1968" xml:space="preserve">figura dipinta con modo.</s>
            <s xml:id="echoid-s1969" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s1970" xml:space="preserve">La doue rappreſenta ſopra il piano d’una carta, tela, ò tauola quello che naſce dalla pianta riferendo il tutto, alle ragioni dell’opera, che ſi dee
              <lb/>
            fare, ſia ella Dorica, ionica, ò qual ſi uoglia. </s>
            <s xml:id="echoid-s1971" xml:space="preserve">Ma perche in una piana ſuperficie non ſi può uedere nella maeſtà gli ſporti, & </s>
            <s xml:id="echoid-s1972" xml:space="preserve">i caui, & </s>
            <s xml:id="echoid-s1973" xml:space="preserve">le
              <lb/>
            groſſezze dell’opere, però è neceſſario il Profilo, detto Sciographia, perche in questo modo leggerei Vitr. </s>
            <s xml:id="echoid-s1974" xml:space="preserve">& </s>
            <s xml:id="echoid-s1975" xml:space="preserve">non Scenographia, perciò,
              <lb/>
            che molto piu importa, & </s>
            <s xml:id="echoid-s1976" xml:space="preserve">piu aperta, & </s>
            <s xml:id="echoid-s1977" xml:space="preserve">diſtinta ragione dell’opere ſi rende facendo il Proſilo, che le coperte, òitetti di quelle, & </s>
            <s xml:id="echoid-s1978" xml:space="preserve">pero di-
              <lb/>
            ce Vitr.</s>
            <s xml:id="echoid-s1979" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s1980" xml:space="preserve">La Deſcrittione del Profilo è adombratione della Fronte, & </s>
            <s xml:id="echoid-s1981" xml:space="preserve">de i lati, che ſi ſcoſtano, & </s>
            <s xml:id="echoid-s1982" xml:space="preserve">corriſpondenza di tutte le li-
              <lb/>
              <note position="left" xlink:label="note-0024-02" xlink:href="note-0024-02a" xml:space="preserve">20</note>
            nee al centro del compaſſo.</s>
            <s xml:id="echoid-s1983" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s1984" xml:space="preserve">Vitr. </s>
            <s xml:id="echoid-s1985" xml:space="preserve">ha chiamato Fronte ogni eleuata coſa, che per dritto ſi uede, doue nel Profilo ſi adombra la Fronte, & </s>
            <s xml:id="echoid-s1986" xml:space="preserve">i lati che ſi ſcoſtano, come ſi uede
              <lb/>
            nell’ eſſempio infraſcritto del Profilo, perciò che riuolgendo una fabrica per li lati, ſi uede quello che eſce, & </s>
            <s xml:id="echoid-s1987" xml:space="preserve">quello che entra nel uiuo, & </s>
            <s xml:id="echoid-s1988" xml:space="preserve">
              <lb/>
            tutto quello, che è tale uiene al punto dell’occhio, come dimostra l’eſſempio, & </s>
            <s xml:id="echoid-s1989" xml:space="preserve">del deſcriuere il Profilo arte niuna ſi troua, ma il tutto é po-
              <lb/>
            sto, in diiligenza, & </s>
            <s xml:id="echoid-s1990" xml:space="preserve">industria, & </s>
            <s xml:id="echoid-s1991" xml:space="preserve">uſo dell’ Architetto. </s>
            <s xml:id="echoid-s1992" xml:space="preserve">Noi porremo qui all’incőtro l’eſſempio della Pianta, & </s>
            <s xml:id="echoid-s1993" xml:space="preserve">ſopra quella in un altro eſſempio
              <lb/>
            ſi far à la Eleuatione, & </s>
            <s xml:id="echoid-s1994" xml:space="preserve">della medeſima nel terzo eſſempio ſi deſcriuer à il Profilo perche molti ſono da i quali potremo hauere una Pianta de
              <lb/>
            qualche fabrica, & </s>
            <s xml:id="echoid-s1995" xml:space="preserve">ancho non uſcendo fuori de i termini di quella faranno la Eleuatione ſecondo laragione dell’ opera futura, ma non ſapran-
              <lb/>
            no in ogni ordine della fabrica dimoſtrare la großezza de i pareti. </s>
            <s xml:id="echoid-s1996" xml:space="preserve">Lo equale al uiuo, quello che eſce, & </s>
            <s xml:id="echoid-s1997" xml:space="preserve">qnello che entra, & </s>
            <s xml:id="echoid-s1998" xml:space="preserve">però manche
              <lb/>
            ranno di queſta terza ſpetie, & </s>
            <s xml:id="echoid-s1999" xml:space="preserve">idea della Diſpoſitione. </s>
            <s xml:id="echoid-s2000" xml:space="preserve">Altri uogliono, che ſi intenda il modello, à me non pare conforme à Vitr. </s>
            <s xml:id="echoid-s2001" xml:space="preserve">ben che il mo=
              <lb/>
            dello d moſtri, efaccia piu certa la nostra intentione. </s>
            <s xml:id="echoid-s2002" xml:space="preserve">Non uoglio tanto affermare la opinione di ſopra, che in non poßa creder che ancho
              <lb/>
              <note position="left" xlink:label="note-0024-03" xlink:href="note-0024-03a" xml:space="preserve">30</note>
            Sciographia non ſi poſſa riferir alla proſpettiua, & </s>
            <s xml:id="echoid-s2003" xml:space="preserve">allo ſcorzare dicendo Vitr. </s>
            <s xml:id="echoid-s2004" xml:space="preserve">& </s>
            <s xml:id="echoid-s2005" xml:space="preserve">corriſpondenza di tutte le linee al centro del compaßo.
              <lb/>
            </s>
            <s xml:id="echoid-s2006" xml:space="preserve">Et adombratione della fronte, & </s>
            <s xml:id="echoid-s2007" xml:space="preserve">de i lati, che ſi ſcoſtano, cioè che fuggono; </s>
            <s xml:id="echoid-s2008" xml:space="preserve">ma che utilità ſia della Proſpettiua, che rileui molto in questo fat-
              <lb/>
            to, io nol uedo. </s>
            <s xml:id="echoid-s2009" xml:space="preserve">Hora la infraposta Pianta ſi deue intendere che dall’altro capo habbia come dall’uno, & </s>
            <s xml:id="echoid-s2010" xml:space="preserve">le colonne, & </s>
            <s xml:id="echoid-s2011" xml:space="preserve">i gradi, & </s>
            <s xml:id="echoid-s2012" xml:space="preserve">benche ſia
              <lb/>
            piu picciola dello inpiè, egli però ſi deue intendere della iſteſſa grandezza. </s>
            <s xml:id="echoid-s2013" xml:space="preserve">Ilche non ſi è fatto, perche riuſciua troppo grande ſecondo l’inpie
              <lb/>
            & </s>
            <s xml:id="echoid-s2014" xml:space="preserve">noi non ſiamo ſtati prima auuertiti della grandezza della carta.</s>
            <s xml:id="echoid-s2015" xml:space="preserve"/>
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