Vitruvius, I Dieci Libri dell' Architettvra di M. Vitrvvio, 1556

Page concordance

< >
Scan Original
91
92 78
93 79
94 79
95 80
96 81
97 82
98 83
99 84
100 85
101 86
102 87
103 88
104 89
105 90
106 91
107 92
108 93
109 94
110 95
111 96
112 97
113 98
114 99
115 100
116 101
117 102
118 103
119 104
120 105
< >
page |< < (14) of 325 > >|
    <echo version="1.0RC">
      <text xml:lang="it" type="free">
        <div xml:id="echoid-div5" type="section" level="1" n="4">
          <pb o="14" file="0018" n="18" rhead="LIBRO"/>
          <p style="it">
            <s xml:id="echoid-s1124" xml:space="preserve">La Filoſofia ueramente ſa lo Architetto. </s>
            <s xml:id="echoid-s1125" xml:space="preserve">Nella Filofofia, che è Studio, & </s>
            <s xml:id="echoid-s1126" xml:space="preserve">amore di Sapienza, cioè del bene, & </s>
            <s xml:id="echoid-s1127" xml:space="preserve">del uero é la ſpecula-
              <lb/>
            tione delle coſe, & </s>
            <s xml:id="echoid-s1128" xml:space="preserve">la regola delle attioni, l’una, & </s>
            <s xml:id="echoid-s1129" xml:space="preserve">l’altra è neceſſaria allo Architetto, quanto alla regola delle attioni dice Vitr. </s>
            <s xml:id="echoid-s1130" xml:space="preserve">che.</s>
            <s xml:id="echoid-s1131" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s1132" xml:space="preserve">La Filo ſofia fa l’Architetto. </s>
            <s xml:id="echoid-s1133" xml:space="preserve">Cioè dimoſtra allo Architetto il modo di coſtumatamente uiuere, & </s>
            <s xml:id="echoid-s1134" xml:space="preserve">dichiara in che principalmente ſi con-
              <lb/>
            uenga questa regola, & </s>
            <s xml:id="echoid-s1135" xml:space="preserve">dice, che prima. </s>
            <s xml:id="echoid-s1136" xml:space="preserve">La Filoſoſia lo fa d’animo grande. </s>
            <s xml:id="echoid-s1137" xml:space="preserve">Si per abbracciar le grandi impreſe, come per non
              <lb/>
            temer le grandi offeſe; </s>
            <s xml:id="echoid-s1138" xml:space="preserve">ma perche la grandezza dell’animo pare che ſeco apporti il diſpregio d’altrui, & </s>
            <s xml:id="echoid-s1139" xml:space="preserve">una certa ſeuerità, & </s>
            <s xml:id="echoid-s1140" xml:space="preserve">appreſſo l’ar-
              <lb/>
            roganza, però ſia l’ Architetto di grand’ animo ſenza arroganza, che è uitio alla uerità opposto, che oltra il debito attribuiſce à ſe ſteſſo: </s>
            <s xml:id="echoid-s1141" xml:space="preserve">ſia
              <lb/>
            piaceuole ſi nell’udire, & </s>
            <s xml:id="echoid-s1142" xml:space="preserve">ſatisfare alle dimande de gl’imperiti, ſi nel ſopportare i loro diſſetti: </s>
            <s xml:id="echoid-s1143" xml:space="preserve">ma perche nell’ eſſere piaceuole egli potrebbe
              <lb/>
            inchinarſi ad alcuna coſa men giusta però come maeſtro di proportione ſia egli giuſto, & </s>
            <s xml:id="echoid-s1144" xml:space="preserve">eguale à ogmuno, & </s>
            <s xml:id="echoid-s1145" xml:space="preserve">nella egualità dimoſtri ſede
              <lb/>
            nel conſigliare: </s>
            <s xml:id="echoid-s1146" xml:space="preserve">non ſia auaro nel riceuere i doni, ne cupido nel deſiderargli, hauendo queſte belle conditioni l’ Architetto conſeruerà il gra-
              <lb/>
            do ſuo, reſterà honorato, & </s>
            <s xml:id="echoid-s1147" xml:space="preserve">laſcierà fama immortale, & </s>
            <s xml:id="echoid-s1148" xml:space="preserve">però Vitr. </s>
            <s xml:id="echoid-s1149" xml:space="preserve">hauendo conoſciuto in ſe steſſo quanto ſia bello, & </s>
            <s xml:id="echoid-s1150" xml:space="preserve">degno l’ornamento
              <lb/>
              <note position="left" xlink:label="note-0018-01" xlink:href="note-0018-01a" xml:space="preserve">10</note>
            delle predette uirtù, & </s>
            <s xml:id="echoid-s1151" xml:space="preserve">deſorme la macchia de gli oppoſti errori: </s>
            <s xml:id="echoid-s1152" xml:space="preserve">in molti luoghi dell’opera ſua dimoſtra stimare piu la Verità, che le ricchez-
              <lb/>
            ze piu la Gloria che l’utile, & </s>
            <s xml:id="echoid-s1153" xml:space="preserve">biaſima gl’adulatori, arroganti, & </s>
            <s xml:id="echoid-s1154" xml:space="preserve">auari Architetti, come da tutti i Proemi de i Dieci Libri ſi può uedere,
              <lb/>
            iquali ueramente, come ſe fuſſeno un Proemio ſolo di tutta l’opera ſi deono leggere, & </s>
            <s xml:id="echoid-s1155" xml:space="preserve">conſiderare. </s>
            <s xml:id="echoid-s1156" xml:space="preserve">Quanto adunque alla uirtù de coſtumi
              <lb/>
            grandemente ci gioua la Filoſofia, & </s>
            <s xml:id="echoid-s1157" xml:space="preserve">pero Vitr. </s>
            <s xml:id="echoid-s1158" xml:space="preserve">dice.</s>
            <s xml:id="echoid-s1159" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s1160" xml:space="preserve">La Filoſoſia ueramente fa lo Architetto d’animo grande, ſenza arroganza, piaceuole, giuſto, & </s>
            <s xml:id="echoid-s1161" xml:space="preserve">fedele, non auaro, il-
              <lb/>
            che è coſa grandisſima, la doue ſenza ſede, & </s>
            <s xml:id="echoid-s1162" xml:space="preserve">caſtità ueramente niuna opera ſi può ſare. </s>
            <s xml:id="echoid-s1163" xml:space="preserve">Anchora la Filoſofia leua
              <lb/>
            la cupidigia, & </s>
            <s xml:id="echoid-s1164" xml:space="preserve">non laſcia l’animo occupato nel riceuer doni, ma fa, che con grauità ſi difenda la propria dignità, & </s>
            <s xml:id="echoid-s1165" xml:space="preserve">
              <lb/>
            ſene riporti buon nome. </s>
            <s xml:id="echoid-s1166" xml:space="preserve">Queſte coſe dalla Filoſofia preſcritte ci ſono.</s>
            <s xml:id="echoid-s1167" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s1168" xml:space="preserve">Quanto alla parte, che al uero aſpetta dice Vitr. </s>
            <s xml:id="echoid-s1169" xml:space="preserve">ancho quella eſſer’utile all’Architetto.</s>
            <s xml:id="echoid-s1170" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s1171" xml:space="preserve">Appreſſo la medeſima cognitione ci dimoſtra la Scienza delle coſe naturali, la quale con iſtudio ſi deue grandemente
              <lb/>
              <note position="left" xlink:label="note-0018-02" xlink:href="note-0018-02a" xml:space="preserve">20</note>
            cercare, come quella, che in ſe contenga molte, & </s>
            <s xml:id="echoid-s1172" xml:space="preserve">diuerſe dimande naturali, come ancho ſi uede nel condurre l’acque,
              <lb/>
            perche ne i corſi, & </s>
            <s xml:id="echoid-s1173" xml:space="preserve">ne i giri, & </s>
            <s xml:id="echoid-s1174" xml:space="preserve">ne i piani liuellati, & </s>
            <s xml:id="echoid-s1175" xml:space="preserve">ne gli eſiti le uſcite, & </s>
            <s xml:id="echoid-s1176" xml:space="preserve">gli ſpiriti naturali à molti modi ſi fanno,
              <lb/>
            à i difetti delle quali coſe niuno può rimediare, ſe non chi dalla Filoſofia preſo hauerà i principij della natura delle
              <lb/>
            coſe. </s>
            <s xml:id="echoid-s1177" xml:space="preserve">Oltra di queſto chiunque leggerà i uolumi di Thesbia, ò d’Archimede, non conſentirà loro, ſe prima di tali coſe
              <lb/>
            non ſarà da i Filoſofi ammaeſtrato.</s>
            <s xml:id="echoid-s1178" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s1179" xml:space="preserve">Vna parte della Filoſoſia Naturale è chiamata Hiſtoria Naturale, & </s>
            <s xml:id="echoid-s1180" xml:space="preserve">una Scienza; </s>
            <s xml:id="echoid-s1181" xml:space="preserve">la Hiſtoria Naturale è ſemplice narratione de gl’effetti, et del
              <lb/>
            l’opere di Natura, l’eſſempio ſi può da gli ſcritti di Plinio commodamente pigliare, perche Plinio narra tutto quello, che ſi uede nelle coſe fatte
              <lb/>
            dalla Natura, cominciando da eſſo Mondo, & </s>
            <s xml:id="echoid-s1182" xml:space="preserve">dalle parti principali di eſſo come ſono i Cieli, & </s>
            <s xml:id="echoid-s1183" xml:space="preserve">gl’Elementi. </s>
            <s xml:id="echoid-s1184" xml:space="preserve">Venendo alle coſe particolari de
              <lb/>
            i Paeſi, delle Pietre, de i Metalli, delle Piante, de gl’Animali, & </s>
            <s xml:id="echoid-s1185" xml:space="preserve">dell’Huomo che e fine di tutte l opere di Natura. </s>
            <s xml:id="echoid-s1186" xml:space="preserve">La Scienza è cognitione del-
              <lb/>
            le cauſe, & </s>
            <s xml:id="echoid-s1187" xml:space="preserve">de i principij di tutte le predette coſe, della quale ordinatamente, & </s>
            <s xml:id="echoid-s1188" xml:space="preserve">con mirabil dottrina il buouo Ariſtotile ne è ſtato maeſtro.
              <lb/>
            </s>
            <s xml:id="echoid-s1189" xml:space="preserve">
              <note position="left" xlink:label="note-0018-03" xlink:href="note-0018-03a" xml:space="preserve">30</note>
            Tanto l’hiſtoria quanto la cognitione è buona per lo Architetto. </s>
            <s xml:id="echoid-s1190" xml:space="preserve">Vitr. </s>
            <s xml:id="echoid-s1191" xml:space="preserve">hebbe l’una, & </s>
            <s xml:id="echoid-s1192" xml:space="preserve">l’altra, come ſi uede nel quarto cap. </s>
            <s xml:id="echoid-s1193" xml:space="preserve">del Primo doue ſi
              <lb/>
            tratta de i principij delle coſe, & </s>
            <s xml:id="echoid-s1194" xml:space="preserve">nell’Ottauo Libro, & </s>
            <s xml:id="echoid-s1195" xml:space="preserve">nel Secondo, & </s>
            <s xml:id="echoid-s1196" xml:space="preserve">nel restante di quel Libro, & </s>
            <s xml:id="echoid-s1197" xml:space="preserve">in tutta l’opera doue egli parla de gli
              <lb/>
            Alberi, delle Pietre, delle minere, de gl’ Animali, delia uoce, dell’udito, del uedere, & </s>
            <s xml:id="echoid-s1198" xml:space="preserve">di molte opere di Natura, le cagioni delle quali ſono in
              <lb/>
            molti luoghi dell’ Architettura cercate, & </s>
            <s xml:id="echoid-s1199" xml:space="preserve">ſpecialmente nella materia dell’acque, come ſi uede nell’ Ottauo Libro.</s>
            <s xml:id="echoid-s1200" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s1201" xml:space="preserve">Della Muſica eſſer deue pratico l’Architetto à fine, che egli conoſca la regolata ragione, & </s>
            <s xml:id="echoid-s1202" xml:space="preserve">la Mathematica, & </s>
            <s xml:id="echoid-s1203" xml:space="preserve">acciò,
              <lb/>
            che egli ſappia drittamente dare la tempera à gli inſtrumenti da Pietre, ò Saette, come ſono Baleſtre, Catapulte, & </s>
            <s xml:id="echoid-s1204" xml:space="preserve">
              <lb/>
            Scorpioni.</s>
            <s xml:id="echoid-s1205" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s1206" xml:space="preserve">Qui Vitr. </s>
            <s xml:id="echoid-s1207" xml:space="preserve">dimoſtra la Muſica eſſer’utile allo Architetto, & </s>
            <s xml:id="echoid-s1208" xml:space="preserve">quanto alla pratica, & </s>
            <s xml:id="echoid-s1209" xml:space="preserve">quanto alla ſpeculatione come ſono l’altre Mathematice,
              <lb/>
            quanto alla pratica dice quella parola. </s>
            <s xml:id="echoid-s1210" xml:space="preserve"># Regolata. </s>
            <s xml:id="echoid-s1211" xml:space="preserve"># Che nel Latino dice. </s>
            <s xml:id="echoid-s1212" xml:space="preserve"># Canonica. </s>
            <s xml:id="echoid-s1213" xml:space="preserve"># Quanto alla ſpeculatione dice quellaltra.
              <lb/>
            </s>
            <s xml:id="echoid-s1214" xml:space="preserve">Mathematica. </s>
            <s xml:id="echoid-s1215" xml:space="preserve">Io dichiaro l’una, & </s>
            <s xml:id="echoid-s1216" xml:space="preserve">l’altra con l’autorità de i buoni Autori. </s>
            <s xml:id="echoid-s1217" xml:space="preserve">La Canonica appartiene all’orecchie, come la proſpettiua à
              <lb/>
              <note position="left" xlink:label="note-0018-04" xlink:href="note-0018-04a" xml:space="preserve">40</note>
            gl’occhi, & </s>
            <s xml:id="echoid-s1218" xml:space="preserve">è preſa da i Muſici come per ſondamento della loro arte uſitata, & </s>
            <s xml:id="echoid-s1219" xml:space="preserve">è quella, che miſura le altezze, & </s>
            <s xml:id="echoid-s1220" xml:space="preserve">le lunghezze delle uoci, & </s>
            <s xml:id="echoid-s1221" xml:space="preserve">
              <lb/>
            da Greci la miſura del durare delle uoci è detta, Rithmus, cioè numero, & </s>
            <s xml:id="echoid-s1222" xml:space="preserve">la miſura dell’altezza, è detta, Melos, cioè canto. </s>
            <s xml:id="echoid-s1223" xml:space="preserve">Tiene anco la Ca-
              <lb/>
            nonica un’altra parte, Metrica nominata, cioè arte di comporre i uerſi, che ſono effctti delle predette miſure nelle ſillabe, & </s>
            <s xml:id="echoid-s1224" xml:space="preserve">nelle parole; </s>
            <s xml:id="echoid-s1225" xml:space="preserve">arte
              <lb/>
            ueramente diletteuole, & </s>
            <s xml:id="echoid-s1226" xml:space="preserve">conforme alla Natura Humana, è detta Canonica cioè regolatrice (come dice Boetio) nella ſua Muſica, perche non
              <lb/>
            ſi deue dare tutto il giuditio à i ſenſi, perche ſono fallaci, & </s>
            <s xml:id="echoid-s1227" xml:space="preserve">alterabili per ogni minima offeſa, benche ſieno principij, cioè occaſioni dell’Arti,
              <lb/>
            & </s>
            <s xml:id="echoid-s1228" xml:space="preserve">ci facciano auuertiti delle coſe, però la perſettione, & </s>
            <s xml:id="echoid-s1229" xml:space="preserve">la forza della cognitione e poſta nella ragione, la quale con certe regole eſſendo ſer
              <lb/>
            mata non ci ſa errare in modo alcuno, & </s>
            <s xml:id="echoid-s1230" xml:space="preserve">però è detta Canonica, & </s>
            <s xml:id="echoid-s1231" xml:space="preserve">regolata. </s>
            <s xml:id="echoid-s1232" xml:space="preserve">La Mathematica è quella, che non piu riguarda al ſenſo, ma è
              <lb/>
            facultà di giudicare ſecondo la ſpeculatione, & </s>
            <s xml:id="echoid-s1233" xml:space="preserve">la propoſta ragione conueniente alla Muſica de i numeri ſonori, & </s>
            <s xml:id="echoid-s1234" xml:space="preserve">de i modi, & </s>
            <s xml:id="echoid-s1235" xml:space="preserve">delle maniere
              <lb/>
            delle Canzoni, & </s>
            <s xml:id="echoid-s1236" xml:space="preserve">de i meſcolamenti, & </s>
            <s xml:id="echoid-s1237" xml:space="preserve">de i uerſi de Poeti, forſi piu alto ſalẽdo la Humana, & </s>
            <s xml:id="echoid-s1238" xml:space="preserve">Mondana conuenienza de i Cieli, & </s>
            <s xml:id="echoid-s1239" xml:space="preserve">dell’ Ani-
              <lb/>
            ma uà conſiderando. </s>
            <s xml:id="echoid-s1240" xml:space="preserve">Ma noi ci riſerimo al Quinto Libro doue chiaramente di parlar intendemo circa la Muſica, & </s>
            <s xml:id="echoid-s1241" xml:space="preserve">Harmonia, credendo à
              <lb/>
              <note position="left" xlink:label="note-0018-05" xlink:href="note-0018-05a" xml:space="preserve">50</note>
            Vitr. </s>
            <s xml:id="echoid-s1242" xml:space="preserve">come far deue chiunque impara, fino che il giuditio, & </s>
            <s xml:id="echoid-s1243" xml:space="preserve">la eſperienza ſi faccia, perche al ſuo luogo uedremo acconciamente quello, che
              <lb/>
            dice hora Vitr. </s>
            <s xml:id="echoid-s1244" xml:space="preserve">di uaſi di rame nel Quinto, & </s>
            <s xml:id="echoid-s1245" xml:space="preserve">de gl’inſtrumenti d’acqua nel Decimo.</s>
            <s xml:id="echoid-s1246" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s1247" xml:space="preserve">Quei uaſi ancho di Rame, che nei Theatri ſotto i gradi nelle Celle con ragione Mathematica ſi fanno, & </s>
            <s xml:id="echoid-s1248" xml:space="preserve">le differenze
              <lb/>
            de i tuoni ſi accordano à i riſuegliamenti de i dolci ſuoni Muſicali, & </s>
            <s xml:id="echoid-s1249" xml:space="preserve">ſi compongono à Cella per Cella, in quei giri,
              <lb/>
            con quelle conſonanze, che da i Muſici, Diateſſaron, Diapente, Diapaſon nominate ſono, acciò, che la uoce de i ſuoni
              <lb/>
            ſcenici nelle diſpoſitioni conuenienti quando toccherà l’udito piu chiara, & </s>
            <s xml:id="echoid-s1250" xml:space="preserve">piu ſoaue à gli aſcoltanti peruenga.
              <lb/>
            </s>
            <s xml:id="echoid-s1251" xml:space="preserve">Gli inſtrumenti d’acque ſenza ragione di Muſica drittamente non ſi fanno.</s>
            <s xml:id="echoid-s1252" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s1253" xml:space="preserve">Et ſimilmente ſi uedrà del Decimo Libro al cap. </s>
            <s xml:id="echoid-s1254" xml:space="preserve">
              <emph style="sc">X VIII.</emph>
            quello che egli ha detto di ſopra la Muſica eſſer neceſſaria all’ Architetto</s>
          </p>
          <p>
            <s xml:id="echoid-s1255" xml:space="preserve">Acciò che egli ſappia drittamente dare la temperatura à gli inſtrumenti, che tirano Pietre, ò Saette, come ſono Baleſtre
              <lb/>
            grandi, & </s>
            <s xml:id="echoid-s1256" xml:space="preserve">piccole nominate Baliſte, Catapulte, & </s>
            <s xml:id="echoid-s1257" xml:space="preserve">Scorpioni, imperoche ne i capi dalla deſtra, & </s>
            <s xml:id="echoid-s1258" xml:space="preserve">dalla ſiniſtra ſono i
              <lb/>
              <note position="left" xlink:label="note-0018-06" xlink:href="note-0018-06a" xml:space="preserve">60</note>
            pertugi, ò fori de i pari tuoni, per li quali le torte funi di neruo tirate ſono con molinelli, ò naſpi, iquali non ſi chiu-
              <lb/>
            dono, ò legano ſe prima fuori non mandano determinati, & </s>
            <s xml:id="echoid-s1259" xml:space="preserve">eguali ſuoni all’orecchie di quelli, che le fanno, perche le
              <lb/>
            braccia ſi ſerrano nelle carcature, & </s>
            <s xml:id="echoid-s1260" xml:space="preserve">nel tirare di eſſe funi, quando poi ſi ſtendono, ſi ſchiudono con egualità, & </s>
            <s xml:id="echoid-s1261" xml:space="preserve">
              <lb/>
            parimente d’ambe le parti mandar deonole ſaette, la doue ſe non ſaranno di pari tuoni impediranno il tirare
              <lb/>
            drittamente.</s>
            <s xml:id="echoid-s1262" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s1263" xml:space="preserve">Non è luogo ne tempo di dimorare ſopra le predette coſe, percìò, che la dottrina eſſer deue ordinata, & </s>
            <s xml:id="echoid-s1264" xml:space="preserve">quel che uuole maggiore introduttio-
              <lb/>
            ne eſſer non deue nella prima ſronte collocato. </s>
            <s xml:id="echoid-s1265" xml:space="preserve">Certo è nella Muſica chella egualità del ſuono dimoſtra egualità di ſpatio, & </s>
            <s xml:id="echoid-s1266" xml:space="preserve">quella propor-
              <lb/>
            tione che è tra ſpatio, e ſpatio, ſi troua ancho tra ſuono, & </s>
            <s xml:id="echoid-s1267" xml:space="preserve">ſuono, & </s>
            <s xml:id="echoid-s1268" xml:space="preserve">però eſſendo il ſuono eguale, dall’uno, & </s>
            <s xml:id="echoid-s1269" xml:space="preserve">l’altro braccio ſeguita che
              <lb/>
            la fune dentro le braccia ſie eguale, dalche naſce la bontà dello instrumento, & </s>
            <s xml:id="echoid-s1270" xml:space="preserve">l’uſo di eſſo, come prouano gli Arcieri, & </s>
            <s xml:id="echoid-s1271" xml:space="preserve">i Balestrieri tut-
              <lb/>
            to il giorno, e ci ſerà manifeſto nel Decimo.</s>
            <s xml:id="echoid-s1272" xml:space="preserve"/>
          </p>
          <note position="left" xml:space="preserve">70</note>
          <p>
            <s xml:id="echoid-s1273" xml:space="preserve">La medicina deue dal buono Architetto eſſer appreſa pet conoſcere le inclinationi del Cielo, & </s>
            <s xml:id="echoid-s1274" xml:space="preserve">l’aere de i luoghi ſalu-
              <lb/>
            bri, ò mal ſani, & </s>
            <s xml:id="echoid-s1275" xml:space="preserve">per l’uſo delle acque, percioche ſeuza tali ragione ſtanza non ſi può fare, che buona ſia.</s>
            <s xml:id="echoid-s1276" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s1277" xml:space="preserve">Le inclinationi del Cielo dette Climata da Greci, ſono ſpatij del Cielo poſti tra due circoli egualmente diſtanti detti Paralelli, come ſi dirà poi, par
              <lb/>
            lando de gl’Horologij nel Nono Libro. </s>
            <s xml:id="echoid-s1278" xml:space="preserve">Vitr. </s>
            <s xml:id="echoid-s1279" xml:space="preserve">ueramente hebbe qualche notitia della Medicina; </s>
            <s xml:id="echoid-s1280" xml:space="preserve">come ſi uede nel Primo Libro doue egli di-
              <lb/>
            moſtra quali inſermità da quai uenti ſonoingenerate, & </s>
            <s xml:id="echoid-s1281" xml:space="preserve">in altri luoghi del medeſimo Libro, & </s>
            <s xml:id="echoid-s1282" xml:space="preserve">de gl’ altri dichiara le qualità de paeſi quanto
              <lb/>
            all’aere, all’acque, all’herbe, à gl’animali, à gl’Huomini, coſe alla cognitione del Medico ſottoposte.</s>
            <s xml:id="echoid-s1283" xml:space="preserve"/>
          </p>
        </div>
      </text>
    </echo>