<s xml:id="echoid-s9680" xml:space="preserve">Vedonſi i coperti dila Magna, & </s>
<s xml:id="echoid-s9681" xml:space="preserve">di Francia,che ſono pie
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tre nere, tagliate in laſtre conſicate con chiodi di legno, & </s>
<s xml:id="echoid-s9682" xml:space="preserve">fanno bello effetto quanto alla uiſta, perche ſono con bellisſimo ordine collocate, c
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ſtando i tetti in pendente, I’acqua, che uiene dal Cielo dandogli ſopra non fa ſtrepito alcuno. </s>
<s xml:id="echoid-s9683" xml:space="preserve">Deueſi prouedere, che le laſtre di piombo ferma-
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mente congiunte ſiano, accioche il uento non le porti, & </s>
<s xml:id="echoid-s9684" xml:space="preserve">poſte in modo, che gli uccelli non ſi fermino ſopra. </s>
<s xml:id="echoid-s9685" xml:space="preserve">Et ſotto il piombo ſia l’opera co
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perta leggiermente dicenere di ſelce meſcolata con loto di bianca creta. </s>
<s xml:id="echoid-s9686" xml:space="preserve">I chiodi di ferro non ſono à propoſito, perche ſi ſcaldano piu che le
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pietre, & </s>
<s xml:id="echoid-s9687" xml:space="preserve">con la loro ruggine uanno da torno rodendo, pero ſi fanno le morſe, & </s>
<s xml:id="echoid-s9688" xml:space="preserve">i chiodi di piombo, accioche con quelli ſi fermino le lame del
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le tegole con ardente ferro. </s>
<s xml:id="echoid-s9689" xml:space="preserve">Ne gliornamenti de i tetti, le cime, le labra delle gronde, le cantonate delle fabriche ſono da eſſer conſiderate, la
<s xml:id="echoid-s9702" xml:space="preserve">le regole ſi danno, imperoche ſe nel mezzo ſono eſſer deono diſpari, ilche nelle ſabriche di Vinetia per lo piu
<s xml:id="echoid-s9727" xml:space="preserve">paſſe da una parte all’altra, ci ſono niente di meno alcune apriture ſenza uſcita, queſte prima da maestri di le-
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gn
<unsure/>
ame per ſortezza dell’opera, & </s>
<s xml:id="echoid-s9728" xml:space="preserve">ſparagno della ſpeſa ſono state rittrouate, poi da i Marmorari per ornamento uſurpate. </s>
<s xml:id="echoid-s9729" xml:space="preserve">Bella coſa è che
(come ho detto altre fiate) drizzauano prima le colonne, & </s>
<s xml:id="echoid-s9733" xml:space="preserve">nelle Baſe loro le poneuano, & </s>
<s xml:id="echoid-s9734" xml:space="preserve">poi drizzauano il muro, perche meglio ſi ado-
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perauano le machine, & </s>
<s xml:id="echoid-s9735" xml:space="preserve">piu à piombo ſi accommodauano le colonne, ilche era difficile (come dice Tullio) appreſſo gli Architetti. </s>
<s xml:id="echoid-s9768" xml:space="preserve">dichiarire il compartimento Dorico, egli ci propone una difficulta de gli antichi Architetti, accioche noi stiamo piu auuertiti.
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</s>
<s xml:id="echoid-s9769" xml:space="preserve">Biaſimauano alcuni la miſura, è compartimento Dorico nel fabricar de i Tempi, non perche la forma non baueſſe del grande, ò che l’opera di-
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ſpiaceſſe, ma perche nontornaua bene il compartimento de i Triglifi, & </s>
<s xml:id="echoid-s9771" xml:space="preserve">Noi bauemo ueduto di ſopra, che i Triglifi riſpondo-
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no allc teſte delle traui, & </s>
<s xml:id="echoid-s9772" xml:space="preserve">che le Metope riſpondono à gli ſpatij, che ſono da una traue all’altra detti intertignia nella parte di fuori, ma nella
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parte di dentro, & </s>
<s xml:id="echoid-s9773" xml:space="preserve">le traui, è gli ſpatij ſi chiamano lacunaria. </s>
<s xml:id="echoid-s9774" xml:space="preserve">Se adunque i Triglifi rappreſentano le teste delle traui, & </s>
<s xml:id="echoid-s9775" xml:space="preserve">le Metope gli ſpa-
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tij, ne ſegue che eſſendo impedito il partimento de i Triglifi, & </s>
<s xml:id="echoid-s9777" xml:space="preserve">del loro orna
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mento di dentro. </s>
<s xml:id="echoid-s9778" xml:space="preserve">Ma come ſia impedita la diſtributione de i Triglifi egli ſi uede, perche è neceſſario che lo Trigliſo ſia giuſto per mezzo la
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quadra della colonna, & </s>
<s xml:id="echoid-s9779" xml:space="preserve">la Me opa ſia tanto alta quanto longa, ma gli antichi non auuertendo à quello, che era per gli Trigliſi, & </s>
<s xml:id="echoid-s9780" xml:space="preserve">per le Me
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toper rappreſentato, poneuano ſopra le eſtreme parti delle colonne angulari, & </s>
<s xml:id="echoid-s9781" xml:space="preserve">non ſul uiuo i Triglifi, dalche ne naſceua che le Metope ap-
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preſſo que Triglifi, non ueniuano quadre giuſte, ma alquanto piu longe de i Triglifi, cioe per la meta della loro larghezza, & </s>
<s xml:id="echoid-s9792" xml:space="preserve">Ma noi come richiede l’ordine eſponemo in quel modo, che da i noſtri precettori hauemo, accioche ſe alcuno ponen-
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do mente, à queſte ragioni uorrà in queſto modo cominciare, egli habbia le proportioni eſpedite, & </s>
<s xml:id="echoid-s9793" xml:space="preserve">manifeſte, con
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lequali egli poſſa bene, & </s>
<s xml:id="echoid-s9794" xml:space="preserve">ſenza diffetto alla Dorica fabricare e finire i Tempi de gli Dei.</s>
<s xml:id="echoid-s9800" xml:space="preserve">regolati quelli ſecondo gli ſpatij de gli inter colũni, coſi nella Dorica egli regola ſecondo le iſteſſe forme gli ſpa-
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tij tra le colonne, uero è, che la ragione di queſti ſpatij, è di queſta maniera tutta dipende dal compartimento de i Triglifi. </s>
<s xml:id="echoid-s9801" xml:space="preserve">Et pero nel di ſopra
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& </s>
<s xml:id="echoid-s9802" xml:space="preserve">in altri luogbi, quando Vitr. </s>
<s xml:id="echoid-s9803" xml:space="preserve">ha detto la ragione de i Trigliſi, egli ba inteſo la maniera Dorica. </s>
<s xml:id="echoid-s9804" xml:space="preserve">Comincia adunque à Regolare la maniera
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Diaſtilos, che ha di tre colonne il ſuo uano, ſecondo la ſorma di facciata in colonne detta Proſtilos, & </s>
<s xml:id="echoid-s9805" xml:space="preserve">ſecondo ambe le teſte in colonne detta
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Amphiprostilos, & </s>
<s xml:id="echoid-s9806" xml:space="preserve">ſotto un nome ſolo intende queſte due forme, chiamandole Tetraſtilos, cioe di quattro colonne, regola ancho la alata à tor
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no detta Peripteros chiamando Exaſtilos, cioe di ſeicolonne, & </s>
<s xml:id="echoid-s9807" xml:space="preserve">ci laſcia à noi regolare le altre maniere, dice adunque.</s>
