Vitruvius, I Dieci Libri dell' Architettvra di M. Vitrvvio, 1556

Table of handwritten notes

< >
[Handwritten note 5]
[Handwritten note 6]
[Handwritten note 7]
< >
page |< < (144) of 325 > >|
    <echo version="1.0RC">
      <text xml:lang="it" type="free">
        <div xml:id="echoid-div366" type="section" level="1" n="52">
          <pb o="144" file="0152" n="161" rhead="LIBRO"/>
          <figure number="81">
            <description xml:id="echoid-description90" xml:space="preserve">Armonico
              <lb/>
            Chromatico molle
              <lb/>
            Chromatico non languid@
              <lb/>
            Diatonico molle.
              <lb/>
            Molle intento
              <lb/>
            Eguale
              <lb/>
            Sintono
              <lb/>
            Diatonico.</description>
            <variables xml:id="echoid-variables26" xml:space="preserve">92 216 1{1/4} 69 345 1{1/23} 15 360 1{1/45} 8 368 70 210 1{1/15} 42 252 1{1/14} 18 270 1{1/27} 10 280 22 66 1{1/6} 11 77 1{1/11} 7 84 1{1/21} 4 88 21 63 1{1/7} 9 72 1{1/9} 8 80 1{1/20} 4 84 56 168 1{1/8} 21 189 1{1/7} 27 216 1{1/27} 8 224 3 9 1{1/9} 1 10 1{1/10} 1 11 1{1/11} 5 12 24 72 1{1/9} 8 80 1{1/8} 10 90 1{1/15} 6 96 64 192 1{1/8} 24 216 1{1/8} 27 243 hem 13 2@6</variables>
          </figure>
          <p>
            <s xml:id="echoid-s12190" xml:space="preserve">Ma quando esſi Tetracordi ſono ſeparatamente con i termini di ciaſcun genere conſiderati hanno disſimile diſſegna-
              <lb/>
            tione delle diſtanze.</s>
            <s xml:id="echoid-s12191" xml:space="preserve"/>
          </p>
          <note position="left" xml:space="preserve">50</note>
          <p style="it">
            <s xml:id="echoid-s12192" xml:space="preserve">Cioe la ſomma de i Tetracordiè pareggiata, perche in ogni genere è abbracciata la Diateſſaron di due tuoni, & </s>
            <s xml:id="echoid-s12193" xml:space="preserve">un Semituono, ma partitamen-
              <lb/>
            te è diſſerentemente ſi ſale alla Diateſſaron in ciaſcun genere, comes’e detto di ſopra, conclude adunque dicendo.</s>
            <s xml:id="echoid-s12194" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s12195" xml:space="preserve">La Natura adunque ha diuiſo nella uoce le diſtanze de i tuoni, & </s>
            <s xml:id="echoid-s12196" xml:space="preserve">dei Semituoni, & </s>
            <s xml:id="echoid-s12197" xml:space="preserve">dei Tetracordi, & </s>
            <s xml:id="echoid-s12198" xml:space="preserve">ha finito le ter
              <lb/>
            minationi di quelli con miſure con la quantita de gli ſpacij, & </s>
            <s xml:id="echoid-s12199" xml:space="preserve">con certi modi diſtantil
              <unsure/>
            ha ordinato lequalità, lequali
              <lb/>
            uſando ancho gliartefici de gli ſtrumenti ſecondo le coſe conſtituite dalla natura apparecchiano le loro perfettio-
              <lb/>
            ni à conuenienti concenti.</s>
            <s xml:id="echoid-s12200" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s12201" xml:space="preserve">L’arte oſſeruando la natura ha ritrouato le conſonanze, è gliartefici ſecondo quelle fanno i loro ſtrumenti, la natura ha dato il potere di far un
              <lb/>
            tuono, & </s>
            <s xml:id="echoid-s12202" xml:space="preserve">un Semituono, ma Parte baritrouato in che proportione ſia l’uno e l’altro. </s>
            <s xml:id="echoid-s12203" xml:space="preserve">La natura ſecondo gli affetti fpontanamente moue
              <lb/>
            gli buomini, & </s>
            <s xml:id="echoid-s12204" xml:space="preserve">le uoci, ma l’arte ba compreſo con uie ragioneuoli, & </s>
            <s xml:id="echoid-s12205" xml:space="preserve">le quantita, & </s>
            <s xml:id="echoid-s12206" xml:space="preserve">le qualità de i ſuoni, & </s>
            <s xml:id="echoid-s12207" xml:space="preserve">ha meſcolato i generi, ritro-
              <lb/>
              <note position="left" xlink:label="note-0152-02" xlink:href="note-0152-02a" xml:space="preserve">60</note>
            uate Pidee, applicate le forme, bora Vitr. </s>
            <s xml:id="echoid-s12208" xml:space="preserve">ci eſpone i ſuoni, i loro uocaboli, & </s>
            <s xml:id="echoid-s12209" xml:space="preserve">altre coſe pertinenti al propoſito noſtro.</s>
            <s xml:id="echoid-s12210" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s12211" xml:space="preserve">I ſuoni, che da Greci Phtongi ſi chiamano, ſono 18.</s>
            <s xml:id="echoid-s12212" xml:space="preserve">de i quali otto continuamente ſtanno in tutte tre le maniere, ma gli
              <lb/>
            altri dieci quando communemente ſi cantano ſono inſtabili, & </s>
            <s xml:id="echoid-s12213" xml:space="preserve">uaganti.</s>
            <s xml:id="echoid-s12214" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s12215" xml:space="preserve">A me pare che Vitr. </s>
            <s xml:id="echoid-s12216" xml:space="preserve">poteua meglio ordinare, queſto ſuo diſcorſo, perche adduce molte coſe prima, che hanno biſogno dello intendimento di al-
              <lb/>
            tro, che egli pone dapoi, però noi ordinatamente ſecondo il douere procieder intendemo. </s>
            <s xml:id="echoid-s12217" xml:space="preserve">Certo è che ogni ordinanza di Muſica, e compo-
              <lb/>
            ſtade ſuoni. </s>
            <s xml:id="echoid-s12218" xml:space="preserve">Suono e cadimento, ò qualità indiuiſibile della uoce, la cui quantita ò grandeζζaè certa, è determinata, e principio della me-
              <lb/>
            lodia, & </s>
            <s xml:id="echoid-s12219" xml:space="preserve">in quello come nel propio elemento ogni concento ſiriſolue. </s>
            <s xml:id="echoid-s12220" xml:space="preserve">Deiſuoni altri ſono estremi, altri di mezzo nelle ordinanze. </s>
            <s xml:id="echoid-s12221" xml:space="preserve">De
              <lb/>
            gli estremi altri ſono grauisſimi, ſotto i quali piu baſſo non ſi uà, altri acutisſimi, ſopra i quali piu alto non ſi ua nelle perfette ordinanze. </s>
            <s xml:id="echoid-s12222" xml:space="preserve">Di
              <lb/>
            quelli
              <unsure/>
            di mezzo altri ſono graui, & </s>
            <s xml:id="echoid-s12223" xml:space="preserve">acuti rifpetto a gli altri, graui ſe riguardano à i piu alti, acuti ſe riguardano ai piu basſi, chiamanſi adun
              <lb/>
            que alti, & </s>
            <s xml:id="echoid-s12224" xml:space="preserve">basſi per comparatione, come tra gli elementi l’acqua riſpetto alla terra è lieue, riſpetto al fuoco è graue, & </s>
            <s xml:id="echoid-s12225" xml:space="preserve">coſi l’aere compa-
              <lb/>
            rato all acqua è leggieri, al fuoco é graue, ma la terra è grauisſima, il fuoco leggierisſimo, perche ſotto quella niuna coſa ſogggiace, ſopra
              <lb/>
              <note position="left" xlink:label="note-0152-03" xlink:href="note-0152-03a" xml:space="preserve">70</note>
            queſto niente ſopra ſtà, & </s>
            <s xml:id="echoid-s12226" xml:space="preserve">forſe da queſta ſimiglianζa ſono ſtate ritrouate le prime quattro uoci, ò ſuoni, che fanno un Tetracordo. </s>
            <s xml:id="echoid-s12227" xml:space="preserve">I ſuo-
              <lb/>
            ni acuti naſcono da ueloci, e ſpesſi, igraui da tardi, è rari mouimenti, come ſi proua efperimentando, che una corda piu tirata è piu ueloce,
              <lb/>
            & </s>
            <s xml:id="echoid-s12228" xml:space="preserve">una piu rimeſſa, è piu tarda. </s>
            <s xml:id="echoid-s12229" xml:space="preserve">Similmente una corda tirata con piu ſpesſi mouimenti ſi moue, che una rilaſciata. </s>
            <s xml:id="echoid-s12230" xml:space="preserve">Et ſe bene il m -
              <lb/>
            uimento pare un ſolo, non è però da credere, che egli ſiauno, ma più, che pareno un ſolo per la gran celerità del mouimento, come che
              <lb/>
            una continua ritondita di fuoco ci appare, quando con grande celerita, ſi gira una uerga aceſa da uno de i ſuoi capi. </s>
            <s xml:id="echoid-s12231" xml:space="preserve">Hora dico che i </s>
          </p>
        </div>
      </text>
    </echo>