Vitruvius, I Dieci Libri dell' Architettvra di M. Vitrvvio, 1556

Table of Notes

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          <pb o="76" file="0082" n="89" rhead="LIBRO"/>
          <p>
            <s xml:id="echoid-s7788" xml:space="preserve">La maniera detta Siſtilos, è quella nella quale lo intercolumnio è di due groſſezze di colonna, & </s>
            <s xml:id="echoid-s7789" xml:space="preserve">i Zocchi delle ſpire à
              <lb/>
            quello ſpatio ſono tanto grandi quanto ſerà tra due zocchi, come è nel tempio della Fortuna equeſtre, al Theatro di
              <lb/>
            pietra, & </s>
            <s xml:id="echoid-s7790" xml:space="preserve">ne gli altri, che ſono con l’iſteſſe ragioni fabricati.</s>
            <s xml:id="echoid-s7791" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s7792" xml:space="preserve">Il zocco è la parte inferiore della baſa, detta plinthus, perche è in forma di quadrello. </s>
            <s xml:id="echoid-s7793" xml:space="preserve">uuole Vitr. </s>
            <s xml:id="echoid-s7794" xml:space="preserve">che il zocco ſia tanto grande quanto è lo ſpatio,
              <lb/>
            che è poſto tra due zocchi. </s>
            <s xml:id="echoid-s7795" xml:space="preserve">intende qui il Filandro, il Tbeatro di Pompeio, i cui ueſtigi ſono nel campo di Fiore, ne ualſe à Pompeio, che egli
              <lb/>
            ogni ſtudio ui poneſſe per farlo eterno facendolo di pietra, perche troppo grande è la forza del tempo, & </s>
            <s xml:id="echoid-s7796" xml:space="preserve">la ingiuria, che egli fa alle coſe.
              <lb/>
            </s>
            <s xml:id="echoid-s7797" xml:space="preserve">ma quali non gli ſon ſottoposte ? </s>
            <s xml:id="echoid-s7798" xml:space="preserve">il tempo iſteſſo con il tempo ſi conſuma, & </s>
            <s xml:id="echoid-s7799" xml:space="preserve">quello, che col tempo prende uita. </s>
            <s xml:id="echoid-s7800" xml:space="preserve">col tempo ha fine, perche l’eſ-
              <lb/>
            ſer del tempo è ſempre naſcere, & </s>
            <s xml:id="echoid-s7801" xml:space="preserve">ſempre morire. </s>
            <s xml:id="echoid-s7802" xml:space="preserve">& </s>
            <s xml:id="echoid-s7803" xml:space="preserve">mentre ſi uiue, altro non ſi fa, che riceur Pingiurie del tempo, allequali quanto ſi può
              <lb/>
            l’arte cerca di rimediare. </s>
            <s xml:id="echoid-s7804" xml:space="preserve">ma in fine il tempo auanza l’arte. </s>
            <s xml:id="echoid-s7805" xml:space="preserve">L’eſſempio della maniera Siſtilos, è nella pianta diſopra Dipteros nominata, à fac-
              <lb/>
            cie 72. </s>
            <s xml:id="echoid-s7806" xml:space="preserve">& </s>
            <s xml:id="echoid-s7807" xml:space="preserve">l’Impiè è à faccie. </s>
            <s xml:id="echoid-s7808" xml:space="preserve">78.</s>
            <s xml:id="echoid-s7809" xml:space="preserve"/>
          </p>
          <note position="left" xml:space="preserve">10</note>
          <p>
            <s xml:id="echoid-s7810" xml:space="preserve">Le due antedette maniere hanno l’uſo loro diffettoſo, perche le Matrone aſcendendo per gradi alle ſupplicationi loro
              <lb/>
            non poſſono andar appari tra gli intercolunni. </s>
            <s xml:id="echoid-s7811" xml:space="preserve">ma biſogna che pasſino à fila. </s>
            <s xml:id="echoid-s7812" xml:space="preserve">l’altro diffetto è, che le porte, & </s>
            <s xml:id="echoid-s7813" xml:space="preserve">gli or-
              <lb/>
            namenti loro per la ſtrettezza delle colonne non ſi ueggono, & </s>
            <s xml:id="echoid-s7814" xml:space="preserve">finalmente per la ſtrettezza de gli ſpatij è impedi-
              <lb/>
            toil paſſeggiar d’intorno il Tempio.</s>
            <s xml:id="echoid-s7815" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s7816" xml:space="preserve">Potrebbeſi dire ſe l’uſo, l’aſpetto, & </s>
            <s xml:id="echoid-s7817" xml:space="preserve">il caminare è coſi impedito dalle due predette maniere, à che fine Vitr. </s>
            <s xml:id="echoid-s7818" xml:space="preserve">ce le ha prepoſte ? </s>
            <s xml:id="echoid-s7819" xml:space="preserve">Dico io che co-
              <lb/>
            me non fi deue laſciare à dietro alcuna forma del dire per eſſer men bella. </s>
            <s xml:id="echoid-s7820" xml:space="preserve">percioche é tempo, che la oſcurita ci uiene à propoſito, & </s>
            <s xml:id="echoid-s7821" xml:space="preserve">la con-
              <lb/>
            fuſione, che ſono forme oppoſte alla chiarezza, & </s>
            <s xml:id="echoid-s7822" xml:space="preserve">eleganza del dire. </s>
            <s xml:id="echoid-s7823" xml:space="preserve">coſi non deue P Architetto laſciare alcuna forma, che ſia men commoda,
              <lb/>
            & </s>
            <s xml:id="echoid-s7824" xml:space="preserve">gioconda all’ aſpetto, perche hora è che nell’ animo de riguardanti per gli occhi ſi ha da porre diletto, & </s>
            <s xml:id="echoid-s7825" xml:space="preserve">piacere, bora merauiglia, & </s>
            <s xml:id="echoid-s7826" xml:space="preserve">
              <lb/>
            horrore ſecondo il biſogno, & </s>
            <s xml:id="echoid-s7827" xml:space="preserve">ciò non ſi può fare da chi non ſa l’effetto, che fan diuerſe maniere di fabriche. </s>
            <s xml:id="echoid-s7828" xml:space="preserve">potrebbeſi ancho dire, che in
              <lb/>
            queſte maniere ſi farebbeno le colonne tanto groſſe, che quando tra colonna e colonna ùandaſſero due groſſezze, ci ſarebbe ſpatio di andar
              <lb/>
              <note position="left" xlink:label="note-0082-02" xlink:href="note-0082-02a" xml:space="preserve">20</note>
            appari, ma io riſpondo che l’altezza grande paſſarebbe i termini, & </s>
            <s xml:id="echoid-s7829" xml:space="preserve">che piu di due Matrone andauano appari, & </s>
            <s xml:id="echoid-s7830" xml:space="preserve">che i zocchi nella maniera
              <lb/>
            Sistilos occupariano lo ſpacio tra le colonne, & </s>
            <s xml:id="echoid-s7831" xml:space="preserve">ſariano d’impedimento al caminare. </s>
            <s xml:id="echoid-s7832" xml:space="preserve">& </s>
            <s xml:id="echoid-s7833" xml:space="preserve">ſimilmente le porte, che à proportione deono riſpon
              <lb/>
            dere ne piu ne meno ſariano impedite.</s>
            <s xml:id="echoid-s7834" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s7835" xml:space="preserve">La compoſitione del Diaſtilos, è quando potemo noi traporre nello intercolunnio la groſſezza di tre colonue, come
              <lb/>
            nel Tempio d’Apollo, & </s>
            <s xml:id="echoid-s7836" xml:space="preserve">di Diana. </s>
            <s xml:id="echoid-s7837" xml:space="preserve">Coteſta diſpoſitione tiene queſta difficultà, che gli Architrani per la grandezza
              <lb/>
            de gli ſpatij ſi ſpezzano.</s>
            <s xml:id="echoid-s7838" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s7839" xml:space="preserve">O quanto eſſer deue auuertito lo Architteto, non ſolamente riſpetto alla ſorma, & </s>
            <s xml:id="echoid-s7840" xml:space="preserve">ragione che nello animo, & </s>
            <s xml:id="echoid-s7841" xml:space="preserve">nella mente ſua con artificioſi
              <lb/>
            modiriuolge. </s>
            <s xml:id="echoid-s7842" xml:space="preserve">ma quanto alla materia, i cui diffetti ſono infinuti, i rimedi pochi, & </s>
            <s xml:id="echoid-s7843" xml:space="preserve">difficili, & </s>
            <s xml:id="echoid-s7844" xml:space="preserve">tal fiata niuno, ò di niun ualore. </s>
            <s xml:id="echoid-s7845" xml:space="preserve">Però è bene
              <lb/>
            che ancho Vitr. </s>
            <s xml:id="echoid-s7846" xml:space="preserve">ci propona, le diffettoſe mantere, perche pe lo contrario ci potemo guardare da gli errori. </s>
            <s xml:id="echoid-s7847" xml:space="preserve">La Pianta di queſta ſpecie s’inten-
              <lb/>
            de per le coſe antedette.</s>
            <s xml:id="echoid-s7848" xml:space="preserve"/>
          </p>
          <note position="left" xml:space="preserve">30</note>
          <p style="it">
            <s xml:id="echoid-s7849" xml:space="preserve">Leon Batt. </s>
            <s xml:id="echoid-s7850" xml:space="preserve">nel quinto libro al ſettimo capo aſſai commodamente ha interpretato, i nomi delle cinque maniere, dicendo conſerta, ſubconſerta, ſub-
              <lb/>
            diſpanſa, Diſpanſa & </s>
            <s xml:id="echoid-s7851" xml:space="preserve">elegante.</s>
            <s xml:id="echoid-s7852" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s7853" xml:space="preserve">Nelle maniere Areoſtili non ci è dato l’uſo de gli Architraui di pietra, ne di marmo, ma ſopra le colonne porre ſi deo-
              <lb/>
            no le traui di legname continue. </s>
            <s xml:id="echoid-s7854" xml:space="preserve">& </s>
            <s xml:id="echoid-s7855" xml:space="preserve">le maniere di quei tempi ſono baſſe, larghe,humili, & </s>
            <s xml:id="echoid-s7856" xml:space="preserve">ornano i loro Frontiſpici di
              <lb/>
            figure di terra cotta, ò di rame dorate all’ uſanza di Toſcana, come ſi uede al Circo Masſimo, il Tempio di Cerere, & </s>
            <s xml:id="echoid-s7857" xml:space="preserve">
              <lb/>
            di Hercole, & </s>
            <s xml:id="echoid-s7858" xml:space="preserve">del Pompeiano Campidoglio.</s>
            <s xml:id="echoid-s7859" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s7860" xml:space="preserve">Il preſente luogo è alquanto intricato per la diuerſità della lettione, perche ſi legge da molti diuer ſamente. </s>
            <s xml:id="echoid-s7861" xml:space="preserve">benche ſi intenda per conietture, & </s>
            <s xml:id="echoid-s7862" xml:space="preserve">
              <lb/>
            ſi habbia il buon ſentimento. </s>
            <s xml:id="echoid-s7863" xml:space="preserve">Le maniere Arcostili uſano liberi ſpatij tra colonna, & </s>
            <s xml:id="echoid-s7864" xml:space="preserve">colonna. </s>
            <s xml:id="echoid-s7865" xml:space="preserve">& </s>
            <s xml:id="echoid-s7866" xml:space="preserve">però Vitr. </s>
            <s xml:id="echoid-s7867" xml:space="preserve">ha uſato il numero del piu, & </s>
            <s xml:id="echoid-s7868" xml:space="preserve">non
              <lb/>
            ha detto la maniera Areoſtilos. </s>
            <s xml:id="echoid-s7869" xml:space="preserve">ma le maniere, perche eſſendo gli ſpatij, & </s>
            <s xml:id="echoid-s7870" xml:space="preserve">i uani liberi poſſono eſſer piu, & </s>
            <s xml:id="echoid-s7871" xml:space="preserve">meno larghi ſecondo il uolere di
              <lb/>
            chi fabrica, & </s>
            <s xml:id="echoid-s7872" xml:space="preserve">non ci è legge, ne regola alcuna. </s>
            <s xml:id="echoid-s7873" xml:space="preserve">in queste non ſi uſan'Architraui di pietra, ò di amrmo, perche ſi ſpezzerebbero, il qual pericolo
              <lb/>
              <note position="left" xlink:label="note-0082-04" xlink:href="note-0082-04a" xml:space="preserve">40</note>
            ſe era nella ſpecie Diaſtilos doue il uano era di tre colonne, quanto piu eſſer due, ſe ſerà maggiore ? </s>
            <s xml:id="echoid-s7874" xml:space="preserve">la doue per obuiare à queſto diffitto ſi
              <lb/>
            fan gli Architraui di legno, & </s>
            <s xml:id="echoid-s7875" xml:space="preserve">quella maniera e baſſa, humile, & </s>
            <s xml:id="echoid-s7876" xml:space="preserve">piu presto ornata di mille uarietà d’ornamenti, che di grandezza d’opere.
              <lb/>
            </s>
            <s xml:id="echoid-s7877" xml:space="preserve">la onde ſi può conietturare, che gli Architraui fuſſero inueſtiti d’Auorio, dicendo Vitr. </s>
            <s xml:id="echoid-s7878" xml:space="preserve">barricefali, perche barri detti ſono gli Eleſanti, & </s>
            <s xml:id="echoid-s7879" xml:space="preserve">
              <lb/>
            cefali ſignifica la teſta. </s>
            <s xml:id="echoid-s7880" xml:space="preserve">& </s>
            <s xml:id="echoid-s7881" xml:space="preserve">è ragioneuole, che la trauatura, ch’era di legno, doueſſe eſſer inueſtita, & </s>
            <s xml:id="echoid-s7882" xml:space="preserve">ornata. </s>
            <s xml:id="echoid-s7883" xml:space="preserve">La onde nel quarto libro al ſettimo
              <lb/>
            capo Vitr. </s>
            <s xml:id="echoid-s7884" xml:space="preserve">dice il medeſimo. </s>
            <s xml:id="echoid-s7885" xml:space="preserve">ma con altre. </s>
            <s xml:id="echoid-s7886" xml:space="preserve">parole, & </s>
            <s xml:id="echoid-s7887" xml:space="preserve">iui è la pianta, & </s>
            <s xml:id="echoid-s7888" xml:space="preserve">l’Impiè diſſegnato di queſta maniera. </s>
            <s xml:id="echoid-s7889" xml:space="preserve">L’arte di ſormar di creta le coſe
              <lb/>
            prima uenne in Ethruria, che in altro luogo d’Italia, in queſta furono eccellentisſimi Dimophilo, & </s>
            <s xml:id="echoid-s7890" xml:space="preserve">Gorgaſo. </s>
            <s xml:id="echoid-s7891" xml:space="preserve">Et gli iſtesſi erano ancho Pit-
              <lb/>
            tori, & </s>
            <s xml:id="echoid-s7892" xml:space="preserve">con l’una & </s>
            <s xml:id="echoid-s7893" xml:space="preserve">l’altra loro arte adornarono il Tempio di Cerere à Roma nel Circo Masſimo, & </s>
            <s xml:id="echoid-s7894" xml:space="preserve">con la inſcrittione Greca ne uerſi iui
              <lb/>
            poſti dimoſtrarono, che le opere dalla deſtra erano di mano di Dimophilo, & </s>
            <s xml:id="echoid-s7895" xml:space="preserve">dalla ſimſtra, di Gorgaſi. </s>
            <s xml:id="echoid-s7896" xml:space="preserve">Auante di queſto tempio tutte le coſe
              <lb/>
            erano Thoſcane. </s>
            <s xml:id="echoid-s7897" xml:space="preserve">& </s>
            <s xml:id="echoid-s7898" xml:space="preserve">i Frōtiſpicij, & </s>
            <s xml:id="echoid-s7899" xml:space="preserve">fastigi erano di queſte opere. </s>
            <s xml:id="echoid-s7900" xml:space="preserve">Il luogo di Vitruuio, nel quarto, doue egli accenna, quello che dice in que-
              <lb/>
            ſto luogo è.</s>
            <s xml:id="echoid-s7901" xml:space="preserve"/>
          </p>
          <note position="left" xml:space="preserve">50</note>
          <p>
            <s xml:id="echoid-s7902" xml:space="preserve">Siano le traui incaſtrate in modo con chiaui, & </s>
            <s xml:id="echoid-s7903" xml:space="preserve">rittegni, che la commiſſura habbia lo ſpatio largo due dita,imperoche
              <lb/>
            toccandoſi le traui, & </s>
            <s xml:id="echoid-s7904" xml:space="preserve">non riceuendo ſpiraculto di uento ſi riſcaldano inſieme, & </s>
            <s xml:id="echoid-s7905" xml:space="preserve">preſto ſi guaſtano, ma ſopra le traui,
              <lb/>
            & </s>
            <s xml:id="echoid-s7906" xml:space="preserve">ſopra il pareti ſiano le meſole trappaſſate per la quarta parte dell'altezza della colonna ſportando in fuori, & </s>
            <s xml:id="echoid-s7907" xml:space="preserve">nel
              <lb/>
            le fronti loro dinanzi fitti ſiano gli ornamenti.</s>
            <s xml:id="echoid-s7908" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s7909" xml:space="preserve">Ecco che Vitr. </s>
            <s xml:id="echoid-s7910" xml:space="preserve">dice ante pagmenta quelli ornamenti, che ſono apposti. </s>
            <s xml:id="echoid-s7911" xml:space="preserve">& </s>
            <s xml:id="echoid-s7912" xml:space="preserve">fitti alle trauature per coprirle. </s>
            <s xml:id="echoid-s7913" xml:space="preserve">& </s>
            <s xml:id="echoid-s7914" xml:space="preserve">Vitr. </s>
            <s xml:id="echoid-s7915" xml:space="preserve">ancho dice qui ſotto, che quan-
              <lb/>
            to gli fpatij tra le colonne ſono maggiori, tanto piu groſſe eſſer deono le colonne, & </s>
            <s xml:id="echoid-s7916" xml:space="preserve">conſeguentemente minori, & </s>
            <s xml:id="echoid-s7917" xml:space="preserve">piu baſſe. </s>
            <s xml:id="echoid-s7918" xml:space="preserve">& </s>
            <s xml:id="echoid-s7919" xml:space="preserve">però i Tempi
              <lb/>
            Areoſtili ſono humili, depresſi, & </s>
            <s xml:id="echoid-s7920" xml:space="preserve">basſi.</s>
            <s xml:id="echoid-s7921" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s7922" xml:space="preserve">Deueſi hora render la ragione della bella, & </s>
            <s xml:id="echoid-s7923" xml:space="preserve">elegante maniera Euſtilos nominata. </s>
            <s xml:id="echoid-s7924" xml:space="preserve">Laquale, & </s>
            <s xml:id="echoid-s7925" xml:space="preserve">all’uſo, & </s>
            <s xml:id="echoid-s7926" xml:space="preserve">alla bellezza,
              <lb/>
            & </s>
            <s xml:id="echoid-s7927" xml:space="preserve">alla fermezza eſpedite tiene le ſue ragioni. </s>
            <s xml:id="echoid-s7928" xml:space="preserve">percioche gli ſpatij tra gli interualli ſi deono fare della groſſezza di due
              <lb/>
            colonne, & </s>
            <s xml:id="echoid-s7929" xml:space="preserve">un quarto, & </s>
            <s xml:id="echoid-s7930" xml:space="preserve">lo intercolunnio di mezzo tanto dinanzi, quanto di dietro ſi deue far di tre groſſezze, per-
              <lb/>
              <note position="left" xlink:label="note-0082-06" xlink:href="note-0082-06a" xml:space="preserve">60</note>
            che à queſto modo hauera, & </s>
            <s xml:id="echoid-s7931" xml:space="preserve">lo aſpetto della figura leggiadro, & </s>
            <s xml:id="echoid-s7932" xml:space="preserve">l’uſo della entrata ſenza impedimento, & </s>
            <s xml:id="echoid-s7933" xml:space="preserve">il paſ-
              <lb/>
            feggiar d’intorno la cella grandezza. </s>
            <s xml:id="echoid-s7934" xml:space="preserve">Et la ragion di ciò coſi, ſi eſpediſſe.</s>
            <s xml:id="echoid-s7935" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s7936" xml:space="preserve">Il ristretto intercolunnio impediua il caminare, Pentrare, & </s>
            <s xml:id="echoid-s7937" xml:space="preserve">l’aſpetto. </s>
            <s xml:id="echoid-s7938" xml:space="preserve">però le due maniere di prima erano uitioſe. </s>
            <s xml:id="echoid-s7939" xml:space="preserve">il piu largo, & </s>
            <s xml:id="echoid-s7940" xml:space="preserve">libero portaua
              <lb/>
            pericolo. </s>
            <s xml:id="echoid-s7941" xml:space="preserve">A dunque il giuſto, & </s>
            <s xml:id="echoid-s7942" xml:space="preserve">elegante tra il piu, & </s>
            <s xml:id="echoid-s7943" xml:space="preserve">il meno, che ſono eſtremi uitioſi, come uirtuoſo nel mezzo ſi deue ridurre. </s>
            <s xml:id="echoid-s7944" xml:space="preserve">Se adunque
              <lb/>
            uno è mezzo, ouer due e poco. </s>
            <s xml:id="echoid-s7945" xml:space="preserve">& </s>
            <s xml:id="echoid-s7946" xml:space="preserve">tre e di piu, reſta che due, & </s>
            <s xml:id="echoid-s7947" xml:space="preserve">un quarto ſia conueniente. </s>
            <s xml:id="echoid-s7948" xml:space="preserve">Ma perche non è coſi due, & </s>
            <s xml:id="echoid-s7949" xml:space="preserve">mezzo, come due, & </s>
            <s xml:id="echoid-s7950" xml:space="preserve">
              <lb/>
            un quarto ? </s>
            <s xml:id="echoid-s7951" xml:space="preserve">Riſpondo, che queſto farà la giuſta miſura del compartimento, quando ſi uorrà ſar lo ſpatio dell’intercolunnio maggiore nel mez-
              <lb/>
            zo, che ne gli eſtremi, oltra che ſe noi cauamo da una proportione ſotto ſesquialtera, una ſotto ſesquiquinta.</s>
            <s xml:id="echoid-s7952" xml:space="preserve">ne naſcera una ſotto ſesquiotta-
              <lb/>
            ua, & </s>
            <s xml:id="echoid-s7953" xml:space="preserve">non altro. </s>
            <s xml:id="echoid-s7954" xml:space="preserve">ecco uno e mezzo ſono ſei quarti, due ſono otto quarti, due, & </s>
            <s xml:id="echoid-s7955" xml:space="preserve">mezzo dieci quarti, tre dodici quarti. </s>
            <s xml:id="echoid-s7956" xml:space="preserve">Sei ad otto ſono in
              <lb/>
            proportione ſotto ſesquialtera, dieci à dodici in proportione ſotto ſesquiquinta. </s>
            <s xml:id="echoid-s7957" xml:space="preserve">di adunque ſei uia dodici, ſettantadue, otto uia dieci ottanta.
              <lb/>
            </s>
            <s xml:id="echoid-s7958" xml:space="preserve">tra ſettanta due, & </s>
            <s xml:id="echoid-s7959" xml:space="preserve">ottanta cade proportione ſotto ſesquiottaua. </s>
            <s xml:id="echoid-s7960" xml:space="preserve">il noue adunque è piu proportionato al ſei, & </s>
            <s xml:id="echoid-s7961" xml:space="preserve">al dodici, che al dieci, noue
              <lb/>
              <note position="left" xlink:label="note-0082-07" xlink:href="note-0082-07a" xml:space="preserve">70</note>
            quarti adunque ſeranno i uani della bella maniera. </s>
            <s xml:id="echoid-s7962" xml:space="preserve">hor uediamone la proua.</s>
            <s xml:id="echoid-s7963" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s7964" xml:space="preserve">Se la facciata doue ſi deue fare il Tempio, ſera per farlo di quattro colonne, partiſcaſi in parti undici è mezza. </s>
            <s xml:id="echoid-s7965" xml:space="preserve">laſciando
              <lb/>
            fuori da i lati i margini, & </s>
            <s xml:id="echoid-s7966" xml:space="preserve">gli ſporti de i baſamenti. </s>
            <s xml:id="echoid-s7967" xml:space="preserve">Se di ſei partiſcaſi, in parti diciotto, ſe di otto in uentiquattro è
              <lb/>
            mezza. </s>
            <s xml:id="echoid-s7968" xml:space="preserve">Di queſte parti, ſia il tempio di quattro, di ſei, ō di otto colōne in fronte, ne piglierai una. </s>
            <s xml:id="echoid-s7969" xml:space="preserve">& </s>
            <s xml:id="echoid-s7970" xml:space="preserve">quella ferà il mo
              <lb/>
            dulo. </s>
            <s xml:id="echoid-s7971" xml:space="preserve">la groſſezza delle colonne ſerà d’un modulo. </s>
            <s xml:id="echoid-s7972" xml:space="preserve">& </s>
            <s xml:id="echoid-s7973" xml:space="preserve">ogni intercolunnio, eccetto quello di mezzo ſia di due moduli,
              <lb/>
            & </s>
            <s xml:id="echoid-s7974" xml:space="preserve">d’un quarto, l’intercolunnio di mezzo, ſi dināzi, come dietro, ſia di tre moduli. </s>
            <s xml:id="echoid-s7975" xml:space="preserve">L’altezza delle colonne ſia di </s>
          </p>
        </div>
      </text>
    </echo>