Vitruvius, I Dieci Libri dell' Architettvra di M. Vitrvvio, 1556

Table of Notes

< >
[Note]
[Note]
[Note]
[Note]
[Note]
[Note]
[Note]
[Note]
[Note]
[Note]
[Note]
[Note]
[Note]
[Note]
[Note]
[Note]
[Note]
[Note]
[Note]
[Note]
[Note]
[Note]
[Note]
[Note]
[Note]
[Note]
[Note]
[Note]
[Note]
[Note]
< >
page |< < (148) of 325 > >|
    <echo version="1.0RC">
      <text xml:lang="it" type="free">
        <div xml:id="echoid-div366" type="section" level="1" n="52">
          <pb o="148" file="0156" n="165" rhead="LIBRO"/>
          <figure number="82">
            <description xml:id="echoid-description91" xml:space="preserve">Vniſſono
              <lb/>
            Tuono.
              <lb/>
            Semituono.
              <lb/>
            Ditono.
              <lb/>
            Semiditono.</description>
            <variables xml:id="echoid-variables27" xml:space="preserve">A C B</variables>
          </figure>
          <p>
            <s xml:id="echoid-s12628" xml:space="preserve">Et però dal numero hanno preſo i nomi di quelle, percioche quando la uoce ſi forma in una terminatione de & </s>
            <s xml:id="echoid-s12629" xml:space="preserve">ſuoni,
              <lb/>
            piegandoſi da quella ſi muta, & </s>
            <s xml:id="echoid-s12630" xml:space="preserve">peruiene alla quarta ſua terminatione, la conſonanza è detta Diateſſaron, & </s>
            <s xml:id="echoid-s12631" xml:space="preserve">termi-
              <lb/>
            nando nella quinta Diapente, nella ottaua, Diapaſon, nelle otto & </s>
            <s xml:id="echoid-s12632" xml:space="preserve">mezza Diapaſon, & </s>
            <s xml:id="echoid-s12633" xml:space="preserve">Diateſſaron, nelle noue, & </s>
            <s xml:id="echoid-s12634" xml:space="preserve">
              <lb/>
            mezza Diapaſon, & </s>
            <s xml:id="echoid-s12635" xml:space="preserve">Diapente, nella quintadecima Disdiapaſon: </s>
            <s xml:id="echoid-s12636" xml:space="preserve">Perche egli non ſi puo fare le conſonanze, quando
              <lb/>
            tra due ſpatij, ò nella terza, ò nella ſeſta, ò nella ſettima il ſuon delle corde, ò il canto della uoce ſerà formato. </s>
            <s xml:id="echoid-s12637" xml:space="preserve">Ma (co-
              <lb/>
            me di ſopra ſcritto hauemo) la Diateſſaron, & </s>
            <s xml:id="echoid-s12638" xml:space="preserve">la Diapente hanno i loro termini conuenienti dalla natura della uoce
              <lb/>
            conforme nell’ordine alla Disdiapaſon; </s>
            <s xml:id="echoid-s12639" xml:space="preserve">& </s>
            <s xml:id="echoid-s12640" xml:space="preserve">i concenti naſcono dalla congiuntione de i ſuoni da’ Greci Pthongi no-
              <lb/>
            minati.</s>
            <s xml:id="echoid-s12641" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s12642" xml:space="preserve">L’ordine della Diſdiapaſon, che è la
              <emph style="sc">X V.</emph>
            & </s>
            <s xml:id="echoid-s12643" xml:space="preserve">è la perfetta conſonanza, come quella, che abbraccia ne i ſuoi ſpacij, & </s>
            <s xml:id="echoid-s12644" xml:space="preserve">contiene ſotto di ſe tutte le
              <lb/>
              <note position="left" xlink:label="note-0156-01" xlink:href="note-0156-01a" xml:space="preserve">30</note>
            altre, fu, che i termmi della Diateſſaron, & </s>
            <s xml:id="echoid-s12645" xml:space="preserve">della Diapente ſiano poſtila doue ſono, & </s>
            <s xml:id="echoid-s12646" xml:space="preserve">finalmente tutti i gradi ſi riferiſcono à quella intentio-
              <lb/>
            ne di peruenire alla
              <emph style="sc">X V.</emph>
            Et qui ſia fine del trattamento Muſicale, quanto può baſtare all’ efpoſitione di Vitr. </s>
            <s xml:id="echoid-s12647" xml:space="preserve">ne in altro uolemo riprendere
              <lb/>
            Aristoxeno, che forſe ha hauuto altre intentioni, che non ſono coſi compreſe, però, ad alcuno le coſe ſue pareno imperfette.</s>
            <s xml:id="echoid-s12648" xml:space="preserve"/>
          </p>
        </div>
        <div xml:id="echoid-div379" type="section" level="1" n="53">
          <head xml:id="echoid-head53" xml:space="preserve">CAP. V. DE I VASI DEL THEATRO.</head>
          <p>
            <s xml:id="echoid-s12649" xml:space="preserve">ETCOSI da fimiglianti inueſtigationi con Mathematici diſcorſi ſi fanno i Vaſi di Rame ſecondo
              <lb/>
            la grandezza del Theatro. </s>
            <s xml:id="echoid-s12650" xml:space="preserve">Et quelli ſi fanno in modo, che quando ſon tocchi poſſono fra ſe ren-
              <lb/>
            dere la Diateſſarron, & </s>
            <s xml:id="echoid-s12651" xml:space="preserve">la Diapente in ordine alla Diſdiapaſon.</s>
            <s xml:id="echoid-s12652" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s12653" xml:space="preserve">Pot che ſapemo in che proportione conſiſte ciaſcuna conſonãza. </s>
            <s xml:id="echoid-s12654" xml:space="preserve">Volendo noi preparare que uaſi di Rame, che uſauano gli
              <lb/>
              <note position="left" xlink:label="note-0156-02" xlink:href="note-0156-02a" xml:space="preserve">40</note>
            antichi diſporre ne i Theatri, accioche la uoce de recitanti piu chiaramente, & </s>
            <s xml:id="echoid-s12655" xml:space="preserve">con dolcezza s’udiſce. </s>
            <s xml:id="echoid-s12656" xml:space="preserve">Vitr. </s>
            <s xml:id="echoid-s12657" xml:space="preserve">ci laſcia in-
              <lb/>
            tendere prima come ſi hanno ad accordare, poi come ſi banno à porre, & </s>
            <s xml:id="echoid-s12658" xml:space="preserve">che eſſetto facciano. </s>
            <s xml:id="echoid-s12659" xml:space="preserve">Quanto adunque all’ac-
              <lb/>
            cordargli. </s>
            <s xml:id="echoid-s12660" xml:space="preserve">Vitr. </s>
            <s xml:id="echoid-s12661" xml:space="preserve">dice, che biſogna fargli in modo, che quando ſono tocchi, ò dalla uoce, ò da alcuna coſa, rendino fra ſe le conſonanze dette
              <lb/>
            Diateſſaron, & </s>
            <s xml:id="echoid-s12662" xml:space="preserve">Diapente. </s>
            <s xml:id="echoid-s12663" xml:space="preserve">con queſto però, che l’una & </s>
            <s xml:id="echoid-s12664" xml:space="preserve">l’altra ſiano ordinate alla Diſdiapaſon, ma egli non dice, il modo di proportionare
              <lb/>
            que’uaſi, ſi che rendino queste conſonanze, però biſogna qui porui del buono, & </s>
            <s xml:id="echoid-s12665" xml:space="preserve">ſapere le proportioni de i corpi, cioè come un corpo ſia
              <lb/>
            riſpetto un’ alcro, ò doppio, ò ſeſquialtero, ò ſeſquiterzo, perche quella proportione, che è tra ſpatio, e fpatio, tra corpo, e corpo, e ancho
              <lb/>
            tra ſuono, e ſuono, quando quegli ſpatij, ò que corpi poſſono render ſuono. </s>
            <s xml:id="echoid-s12666" xml:space="preserve">Queſta pratica dipende dal ſapere trouare tra due date linee,
              <lb/>
            due altre di mezzo proportionali, ilche come ſi faccia, nel nono libro diffuſamente ſi dimostra. </s>
            <s xml:id="echoid-s12667" xml:space="preserve">Se adunque, hanno da riſpondere in coſo-
              <lb/>
            nanza biſogna, che le grandezze, e gli ſpatij loxo, & </s>
            <s xml:id="echoid-s12668" xml:space="preserve">i uani ſiano in quelle proportioni, che ſono le conſonanze, che render uogliono, Pro-
              <lb/>
            portionati adunque, biſogna preparare il luogo, doue hanno a ſtare pero dice Vitr.</s>
            <s xml:id="echoid-s12669" xml:space="preserve"/>
          </p>
          <note position="left" xml:space="preserve">50</note>
          <p>
            <s xml:id="echoid-s12670" xml:space="preserve">Dapoi tra i ſeggi del Theatro con ragione di Muſica ſi deono collocare nelle celle à queſto fine apparecchiate, ma di
              <lb/>
            modo, che non tocchino alcun parete, & </s>
            <s xml:id="echoid-s12671" xml:space="preserve">habbiano d’intorno il luogo uoto.</s>
            <s xml:id="echoid-s12672" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s12673" xml:space="preserve">Deonſi fare i luoghi doue hanno à ſtare i uaſi detti, queſti luoghi ſono da Vitr. </s>
            <s xml:id="echoid-s12674" xml:space="preserve">nominati Celle, non deono toccare da alcuna banda muro, ò altro,
              <lb/>
            perche non riſuonerebbeno. </s>
            <s xml:id="echoid-s12675" xml:space="preserve">Et habbiano d’intorno il luogo uacuo. </s>
            <s xml:id="echoid-s12676" xml:space="preserve">Perche riſuonino meglio.</s>
            <s xml:id="echoid-s12677" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s12678" xml:space="preserve">Et dalla ſommita del capo loro habbiano ſpacio.</s>
            <s xml:id="echoid-s12679" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s12680" xml:space="preserve">Perche meglio u’entri la uoce</s>
          </p>
          <p>
            <s xml:id="echoid-s12681" xml:space="preserve">Et ſiano riuolti in giu.</s>
            <s xml:id="echoid-s12682" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s12683" xml:space="preserve">Perche la uoce ſott’entri.</s>
            <s xml:id="echoid-s12684" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s12685" xml:space="preserve">Et habbiano da quella parte, che riguarda i Theatri i Cunei ſottopoſti. </s>
            <s xml:id="echoid-s12686" xml:space="preserve">Perche quei uaſi deono eſſer ſostentati in qualche modo,
              <lb/>
            non potendo ſtare in dere come l’arca di Mahomet. </s>
            <s xml:id="echoid-s12687" xml:space="preserve">non erano però ſoſpeſi come le campane, ma erano ſopra alcuni Cunei, che gli teneuano ſol
              <lb/>
              <note position="left" xlink:label="note-0156-04" xlink:href="note-0156-04a" xml:space="preserve">60</note>
            leuati, & </s>
            <s xml:id="echoid-s12688" xml:space="preserve">toccauano poca parte di quelli, accio non fuſſe impedito il ſuono, altri uogliono che ſteſſero riuolti con la bocca in giu, & </s>
            <s xml:id="echoid-s12689" xml:space="preserve">per la boc-
              <lb/>
            ca u’entraſſero i Cunei, altri che steſſero riuolti con la bocca uerſo la ſcena, & </s>
            <s xml:id="echoid-s12690" xml:space="preserve">che nel mezzo fuſſero da i Cunei ſottopoſti ſostentati.</s>
            <s xml:id="echoid-s12691" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s12692" xml:space="preserve">Siano di ferro que Cunei, non meno alti di mezzo piede.</s>
            <s xml:id="echoid-s12693" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s12694" xml:space="preserve">Per dare ſpatio ſotto i uaſi, accioche non tocchino d’alcuna parte.</s>
            <s xml:id="echoid-s12695" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s12696" xml:space="preserve">Et all’incontro di quelle Celle.</s>
            <s xml:id="echoid-s12697" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s12698" xml:space="preserve">Dentro le quali deono stare i uaſi</s>
          </p>
          <p>
            <s xml:id="echoid-s12699" xml:space="preserve">Laſciate fiano le apriture a i letti de i gradi inferiori longe due piedi, alte mezzo.</s>
            <s xml:id="echoid-s12700" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s12701" xml:space="preserve">Fin qui Vitr. </s>
            <s xml:id="echoid-s12702" xml:space="preserve">ha preparato il luogo, doue ſi hanno à porre que uaſi, & </s>
            <s xml:id="echoid-s12703" xml:space="preserve">ci ha dimostrato il modo di aſſettargli. </s>
            <s xml:id="echoid-s12704" xml:space="preserve">Seguita egli ſecondo la pro-
              <lb/>
            portione, che conuiene alla Muſica, gli diſponga. </s>
            <s xml:id="echoid-s12705" xml:space="preserve">Ma prima parla del modo, & </s>
            <s xml:id="echoid-s12706" xml:space="preserve">del luogo da por le Celle, importando molto il porle piu in
              <lb/>
            un luogo, che in un’altro.</s>
            <s xml:id="echoid-s12707" xml:space="preserve"/>
          </p>
          <note position="left" xml:space="preserve">70</note>
          <p>
            <s xml:id="echoid-s12708" xml:space="preserve">Ma in che luogo egli ſi habbia à diſſegnar le celle, coſi è neceſſario dichiarire. </s>
            <s xml:id="echoid-s12709" xml:space="preserve">Se il Theatro nõ ſera molto ampio, & </s>
            <s xml:id="echoid-s12710" xml:space="preserve">gran
              <lb/>
            de l’altezza di mezzo per trauerſo ſia diſſegnata, & </s>
            <s xml:id="echoid-s12711" xml:space="preserve">in quella ſiano à uolti fatte 13. </s>
            <s xml:id="echoid-s12712" xml:space="preserve">Celle diſtãti per i dodici ſpatij egua
              <lb/>
            li, in modo, che que’ uaſi riſſuonanti, che ſono ſtati ſcritti di ſopra, ſuonando all’ultima delle eccellenti detta Nete
              <lb/>
            Hiperboleon ſian poſti prima nelle Celle, che ſono nelle eſtreme corna dall’un’, & </s>
            <s xml:id="echoid-s12713" xml:space="preserve">l’altra parte.</s>
            <s xml:id="echoid-s12714" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s12715" xml:space="preserve">Cioè partiſcaſi à torno à torno il Theatro la parte di mezzo dell’altezza, et quella ſia diuiſa in dodici ſpatij eguali con tredici Celle, certo è, che ne
              <lb/>
            ſaranno due ſu gli estremi corni, una nel mezzo, cinque da una parte tra l’un’ estrema e la di mezzo, & </s>
            <s xml:id="echoid-s12716" xml:space="preserve">cinque dall’ altra tra l’altra </s>
          </p>
        </div>
      </text>
    </echo>