Vitruvius, I Dieci Libri dell' Architettvra di M. Vitrvvio, 1556

Table of Notes

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            <s xml:id="echoid-s599" xml:space="preserve">
              <pb o="9" file="0013" n="13" rhead="PROEMIO."/>
            ſere e ſtata preſa dalla Ragna, la diſpoſitione della caſa dalla Formica, il gouerno ciuile dall’ Api; </s>
            <s xml:id="echoid-s600" xml:space="preserve">ma noi trouiamo, che quelli ſono instinti di
              <lb/>
            natura, & </s>
            <s xml:id="echoid-s601" xml:space="preserve">non diſcorſi dell’ arte, & </s>
            <s xml:id="echoid-s602" xml:space="preserve">ſe arte ſi deueſſe chiamare la loro naturale, & </s>
            <s xml:id="echoid-s603" xml:space="preserve">non auueduta prudẽza, perche non ſi potrebbe ſimilmen
              <lb/>
            te Arte chiamare la uirtù, che nelle piante, & </s>
            <s xml:id="echoid-s604" xml:space="preserve">nelle pietre ſi troua? </s>
            <s xml:id="echoid-s605" xml:space="preserve">come l’Arte dello Helleboro purgare la pazzia? </s>
            <s xml:id="echoid-s606" xml:space="preserve">l’ Arte della pietra pregna
              <lb/>
            che ne i nidi dell’ Aquile, ſi troua rilaſciare i parti? </s>
            <s xml:id="echoid-s607" xml:space="preserve">perche anche non ſi direbbe eſſere un’arte diuina che regge, & </s>
            <s xml:id="echoid-s608" xml:space="preserve">conſerua il mondo; </s>
            <s xml:id="echoid-s609" xml:space="preserve">una ce-
              <lb/>
            leſte che regola i mouimenti de i Cieli, una mondana, che tramuta gl’Elementi? </s>
            <s xml:id="echoid-s610" xml:space="preserve">ma laſciamo la translatione de nomi ſatta per le ſimiglianze del-
              <lb/>
            le coſe; </s>
            <s xml:id="echoid-s611" xml:space="preserve">il diſcorſo è padre (dirò coſi) dell’ Architettura, nel diſcorſo biſogna Solertia. </s>
            <s xml:id="echoid-s612" xml:space="preserve">Solertia non è altro, che ſubita, & </s>
            <s xml:id="echoid-s613" xml:space="preserve">pronta inuentio-
              <lb/>
            ne del mezzo, & </s>
            <s xml:id="echoid-s614" xml:space="preserve">quello è mezzo, che hauendo conuenienza con gli estremi, lega quelli ad uno effetto, & </s>
            <s xml:id="echoid-s615" xml:space="preserve">però dice Vitr. </s>
            <s xml:id="echoid-s616" xml:space="preserve">quella parola.</s>
            <s xml:id="echoid-s617" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s618" xml:space="preserve">Prontamente.</s>
            <s xml:id="echoid-s619" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s620" xml:space="preserve">Che nel Latino dice ſolertia. </s>
            <s xml:id="echoid-s621" xml:space="preserve">Ma non è aſſai eſſer pronto à ritrouare il uero, perche potrebbe quel uero eſſer poco atto à concludere, però ſog-
              <lb/>
            giugne.</s>
            <s xml:id="echoid-s622" xml:space="preserve"/>
          </p>
          <note position="left" xml:space="preserve">10</note>
          <p>
            <s xml:id="echoid-s623" xml:space="preserve">Con ragione di proportione.</s>
            <s xml:id="echoid-s624" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s625" xml:space="preserve">Che coſa ſia proportione ſi dir à nel ſequente Capitolo. </s>
            <s xml:id="echoid-s626" xml:space="preserve">Vitr. </s>
            <s xml:id="echoid-s627" xml:space="preserve">ha parlato in modo che quelle parole, che dicono.</s>
            <s xml:id="echoid-s628" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s629" xml:space="preserve">Prontamente, & </s>
            <s xml:id="echoid-s630" xml:space="preserve">con ragione di proportione.</s>
            <s xml:id="echoid-s631" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s632" xml:space="preserve">Reſerire anche ſi poſſano à quella parola che dice. </s>
            <s xml:id="echoid-s633" xml:space="preserve">Fabricate.</s>
            <s xml:id="echoid-s634" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s635" xml:space="preserve">Et il ſentimento ſarebbe queſto, che il diſcorſo poteße dimoſtrare, cioè render la ragione delle coſe fabricate con ſolertia, & </s>
            <s xml:id="echoid-s636" xml:space="preserve">proportione, eſ-
              <lb/>
            ſendo l’ufficio dell’ Architetto approuare le coſe ragioneuoli; </s>
            <s xml:id="echoid-s637" xml:space="preserve">ma ſia qual ſi uoglia l’intendimento delle parole dette, tutto è conforme al uero.
              <lb/>
            </s>
            <s xml:id="echoid-s638" xml:space="preserve">Piu ſecreta intelligenza ſi tragge ancor da quello s’ è dichiarato, & </s>
            <s xml:id="echoid-s639" xml:space="preserve">prima che l’artefice riſpetto all’opera tiene doppia conſideratione; </s>
            <s xml:id="echoid-s640" xml:space="preserve">poi
              <lb/>
            tiene doppia affettione à quelle conſiderationi corriſpondente. </s>
            <s xml:id="echoid-s641" xml:space="preserve">La prima conſideratione è una notitia ſemplice uniuerſale per la quale ſi dice,
              <lb/>
            che lhuomo ſa quanto ſi richiede à fine, che l’opera rieſca, & </s>
            <s xml:id="echoid-s642" xml:space="preserve">niente piu ui aggiugne, l’altra è una notitia particolare, & </s>
            <s xml:id="echoid-s643" xml:space="preserve">prosſima all’ope-
              <lb/>
            rare, che conſidera il tempo, il luogo, il modola doue naſce una affettione, che muoue l’huomo à commandare, & </s>
            <s xml:id="echoid-s644" xml:space="preserve">operare, come ſecondo
              <lb/>
              <note position="left" xlink:label="note-0013-02" xlink:href="note-0013-02a" xml:space="preserve">20</note>
            la primaco. </s>
            <s xml:id="echoid-s645" xml:space="preserve">iſideratione l’huomo ſi compiaceua, & </s>
            <s xml:id="echoid-s646" xml:space="preserve">in uniuerſale abbracciaua non l’opera, ma la cognitione, & </s>
            <s xml:id="echoid-s647" xml:space="preserve">però non è ſufficiente queſta
              <lb/>
            ſola conſideratione ſola del diſcorſo, ſola dell’uniuerſale, ma ſi richiede quella ſeconda notitia, & </s>
            <s xml:id="echoid-s648" xml:space="preserve">quella ſeconda affettione, che nella fabri-
              <lb/>
            ca è collocata.</s>
            <s xml:id="echoid-s649" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s650" xml:space="preserve">Eſpoſta la diffinitione dell’ Architettura, & </s>
            <s xml:id="echoid-s651" xml:space="preserve">dichiarito il naſcimento di eſſa uiene Vitr. </s>
            <s xml:id="echoid-s652" xml:space="preserve">à formare l’ Architetto, coſamolto ragioneuole, & </s>
            <s xml:id="echoid-s653" xml:space="preserve">con-
              <lb/>
            ueniente, come ſi uedrà da quello che ſegue, dice adunque.</s>
            <s xml:id="echoid-s654" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s655" xml:space="preserve">Dalle dette coſe ne ſegue, che quelli Architetti, che ſenza lettere tentato hanno di affaticarſi con le mani, non hanno
              <lb/>
            potuto fare, che s’habbino per le fatiche loro acquiſtato riputatione alcuna, & </s>
            <s xml:id="echoid-s656" xml:space="preserve">quei, che nei diſcorſi, & </s>
            <s xml:id="echoid-s657" xml:space="preserve">nella co-
              <lb/>
            gnitione delle lettere ſolamente fidati ſi ſono; </s>
            <s xml:id="echoid-s658" xml:space="preserve">l’ombra non la coſa pare che habbino ſeguitato. </s>
            <s xml:id="echoid-s659" xml:space="preserve">Ma chil’una, & </s>
            <s xml:id="echoid-s660" xml:space="preserve">
              <lb/>
            l’altra bene apparato hanno, come huomini di tutte armi coperti, & </s>
            <s xml:id="echoid-s661" xml:space="preserve">ornati con credito, & </s>
            <s xml:id="echoid-s662" xml:space="preserve">riputatione hanno
              <lb/>
            illoro intento facilmente conſeguito.</s>
            <s xml:id="echoid-s663" xml:space="preserve"/>
          </p>
          <note position="left" xml:space="preserve">30</note>
          <p style="it">
            <s xml:id="echoid-s664" xml:space="preserve">Sicome alla naturale generatione ſi richiede il Padre, & </s>
            <s xml:id="echoid-s665" xml:space="preserve">la Madre, & </s>
            <s xml:id="echoid-s666" xml:space="preserve">ſenza uno di loro niente ſi genera, coſi à eſſer Architetto, che è una
              <lb/>
            artificioſa generatione, ſi ricerca il diſcorſo, & </s>
            <s xml:id="echoid-s667" xml:space="preserve">la fabrica unitamente; </s>
            <s xml:id="echoid-s668" xml:space="preserve">& </s>
            <s xml:id="echoid-s669" xml:space="preserve">ſe alcuno ſi perſuadeſſe eſſere Architetto con la ſola ſabrica, ò
              <lb/>
            uero con il ſolo diſcorſo egli s’ingannerebbe, & </s>
            <s xml:id="echoid-s670" xml:space="preserve">ſarebbe ſtimato coſa imperſetta, anzi monstruoſa; </s>
            <s xml:id="echoid-s671" xml:space="preserve">& </s>
            <s xml:id="echoid-s672" xml:space="preserve">di gratia ſe uno haueße il ſapere ſo-
              <lb/>
            lamente, & </s>
            <s xml:id="echoid-s673" xml:space="preserve">uſurpare ſi uoleſſe il nome d’ Architetto non ſarebbe egli ſottopoſto all’offeſe de gli Eſperti? </s>
            <s xml:id="echoid-s674" xml:space="preserve">non potrebbe ogni manuale improue
              <lb/>
            rarli, & </s>
            <s xml:id="echoid-s675" xml:space="preserve">dirli che ſai tu? </s>
            <s xml:id="echoid-s676" xml:space="preserve">dall’ altra parte ſe per hauere un lieue eſſercitio, & </s>
            <s xml:id="echoid-s677" xml:space="preserve">alquanto di practica, di ſi gran nome degno eſſer ſi credeſſe,
              <lb/>
            non potrebbe uno intelligente, & </s>
            <s xml:id="echoid-s678" xml:space="preserve">litterato chiuderli la bocca, domandandoli conto, & </s>
            <s xml:id="echoid-s679" xml:space="preserve">ragione delle coſe fatte? </s>
            <s xml:id="echoid-s680" xml:space="preserve">& </s>
            <s xml:id="echoid-s681" xml:space="preserve">però biſogna eſſere ar-
              <lb/>
            mati, & </s>
            <s xml:id="echoid-s682" xml:space="preserve">ornati di tutte l’armi per acquistare la uittoria, & </s>
            <s xml:id="echoid-s683" xml:space="preserve">il uanto del uero Architetto. </s>
            <s xml:id="echoid-s684" xml:space="preserve">Biſogna eſſer coperto per difeſa, armato per of-
              <lb/>
            feſa, ornato per gloria maneggiando l’eſperienza con l’artificio. </s>
            <s xml:id="echoid-s685" xml:space="preserve">Perche adunque i pratici non hanno acquistato credito? </s>
            <s xml:id="echoid-s686" xml:space="preserve">percioche l’Ar-
              <lb/>
            chitettura naſce da diſcorſo. </s>
            <s xml:id="echoid-s687" xml:space="preserve">Perche i letterati? </s>
            <s xml:id="echoid-s688" xml:space="preserve">percioche l’ Architettura naſce da fabrica, & </s>
            <s xml:id="echoid-s689" xml:space="preserve">però dice Vitr. </s>
            <s xml:id="echoid-s690" xml:space="preserve">dalle dette coſe, cioè dal na-
              <lb/>
            ſcimento dell’ Architettura che è fabrica, & </s>
            <s xml:id="echoid-s691" xml:space="preserve">diſcorſo cioè opera, & </s>
            <s xml:id="echoid-s692" xml:space="preserve">ragione, ſegue quello, che egli dice. </s>
            <s xml:id="echoid-s693" xml:space="preserve">Main queſto luogo potrebbe alcuno
              <lb/>
              <note position="left" xlink:label="note-0013-04" xlink:href="note-0013-04a" xml:space="preserve">40</note>
            dubitare, & </s>
            <s xml:id="echoid-s694" xml:space="preserve">dire. </s>
            <s xml:id="echoid-s695" xml:space="preserve">Se ueramente l’arte è nello intelletto, perche cagione ha detto Vitr. </s>
            <s xml:id="echoid-s696" xml:space="preserve">che quelli iquali, nel ſaper ſolamente ſi ſono fidati,
              <lb/>
            l’ombra non la coſa pare che habbino ſeguitato? </s>
            <s xml:id="echoid-s697" xml:space="preserve">Riſpondo, che le coſe dell’intelletto alla piu parte ombre paiano, & </s>
            <s xml:id="echoid-s698" xml:space="preserve">il uolgo ſtima le coſe in
              <lb/>
            quanto che à i ſenſi, & </s>
            <s xml:id="echoid-s699" xml:space="preserve">à gliocchi ſottopoſte ſono, & </s>
            <s xml:id="echoid-s700" xml:space="preserve">non inquanto non appaiono, & </s>
            <s xml:id="echoid-s701" xml:space="preserve">queſto auuiene per la conſuetudine, perche non
              <lb/>
            ſono le genti auuezze à diſcorrere, & </s>
            <s xml:id="echoid-s702" xml:space="preserve">però l’accorto Vitr. </s>
            <s xml:id="echoid-s703" xml:space="preserve">non afferma, che i letterati habbino ſeguito l’ombre, ma dice, parere, queſto che
              <lb/>
            dinota il giuditio de gli imperiti eſſer fatto dalle coſe apparenti, & </s>
            <s xml:id="echoid-s704" xml:space="preserve">però mi pare che molti uaneggiano nel decidere qual ſia più nobile,
              <lb/>
            la ſcultura, ò la pittura, imperoche uanno alla materia, al tempo, & </s>
            <s xml:id="echoid-s705" xml:space="preserve">à molti altri accidenti, che non ſono dell’ arte, perche l’arte, è nell’intel-
              <lb/>
            letto, la doue tanto è ſcultore, & </s>
            <s xml:id="echoid-s706" xml:space="preserve">pittore il diuino Michel’ angelo dormendo, & </s>
            <s xml:id="echoid-s707" xml:space="preserve">mangiando, quanto operando, & </s>
            <s xml:id="echoid-s708" xml:space="preserve">facendo, però coſi ſi do-
              <lb/>
            ueria conſiderare qual’ è piu degno habito nell’intelletto di Michel’angelo, ò quello che egli ha della ſcultura, ò pure quello della pittura, & </s>
            <s xml:id="echoid-s709" xml:space="preserve">
              <lb/>
            coſi laſciare i marmi, gl’azurri, i rilieui, & </s>
            <s xml:id="echoid-s710" xml:space="preserve">le proſpettiue, la difficultà, & </s>
            <s xml:id="echoid-s711" xml:space="preserve">la facilità delle dette arti; </s>
            <s xml:id="echoid-s712" xml:space="preserve">all’hora ſi potrebbe dire qualcoſa,
              <lb/>
            che haueſſe del buono, ma hora non è tempo di decidere queſta queſtione. </s>
            <s xml:id="echoid-s713" xml:space="preserve">Dice adunque l’arte non douer eſſere ocioſa, ma con eſſa le mani
              <lb/>
              <note position="left" xlink:label="note-0013-05" xlink:href="note-0013-05a" xml:space="preserve">50</note>
            eſſer neceſſarie, & </s>
            <s xml:id="echoid-s714" xml:space="preserve">questo approua con altre parole, dicendo.</s>
            <s xml:id="echoid-s715" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s716" xml:space="preserve">Perche ſi in ogni altra coſa come ſpecialmente nell’ Architettura queſte due parti ſi trouano, cioè la coſa ſignificata, & </s>
            <s xml:id="echoid-s717" xml:space="preserve">
              <lb/>
            quella che ſigniſica. </s>
            <s xml:id="echoid-s718" xml:space="preserve">La coſa ſignificata è l’opera propoſta, dellaquale ſi ragiona. </s>
            <s xml:id="echoid-s719" xml:space="preserve">Quella che ſignifica, è la proua, & </s>
            <s xml:id="echoid-s720" xml:space="preserve">
              <lb/>
            il perche di eſſa con maeſtreuole ragione eſpreſſo, & </s>
            <s xml:id="echoid-s721" xml:space="preserve">dichiarito.</s>
            <s xml:id="echoid-s722" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s723" xml:space="preserve">Trale Artiſono alquante, il fine dellequali non paſſa oltra la conſideratione delle coſe alloro ſuggette, come ſono le Mathematiche, & </s>
            <s xml:id="echoid-s724" xml:space="preserve">la Scienza
              <lb/>
            naturale. </s>
            <s xml:id="echoid-s725" xml:space="preserve">Altre oltra uengono ad alcuna operatione, ma niente reſta di fatto, come è nell’ Arte di ſaltare, di ſonare, & </s>
            <s xml:id="echoid-s726" xml:space="preserve">altre ſimiglianti.
              <lb/>
            </s>
            <s xml:id="echoid-s727" xml:space="preserve">Sonui alcune, che dietro à ſe laſciano alcun lauoro, come l’ Arte fabrile, & </s>
            <s xml:id="echoid-s728" xml:space="preserve">l’Arte del fabricare. </s>
            <s xml:id="echoid-s729" xml:space="preserve">Appreſſo qualch’una è, che al pren-
              <lb/>
            dere, & </s>
            <s xml:id="echoid-s730" xml:space="preserve">acquistare alcuna coſa ſi dà, come la uenatione, l’uccellare, la peſcaggione, & </s>
            <s xml:id="echoid-s731" xml:space="preserve">altre: </s>
            <s xml:id="echoid-s732" xml:space="preserve">infine molte non à conſiderare, non à finire,
              <lb/>
            non à pigliare intente ſono, ma correggono, & </s>
            <s xml:id="echoid-s733" xml:space="preserve">emendano gl’errori, & </s>
            <s xml:id="echoid-s734" xml:space="preserve">i danni delle coſe fatte, & </s>
            <s xml:id="echoid-s735" xml:space="preserve">acconciano quelle. </s>
            <s xml:id="echoid-s736" xml:space="preserve">Con tutte le pre-
              <lb/>
            dette Arti, anzi ſopra tutte è l’ Architettura, come giudice che ella è di ciaſcuna: </s>
            <s xml:id="echoid-s737" xml:space="preserve">là onde biſogna che in eßa ſpecialmente ſi conſideri alcu-
              <lb/>
              <note position="left" xlink:label="note-0013-06" xlink:href="note-0013-06a" xml:space="preserve">60</note>
            na coſa fatta, ò uero da eſſer fatta, & </s>
            <s xml:id="echoid-s738" xml:space="preserve">poi ſi conſideri la ragione: </s>
            <s xml:id="echoid-s739" xml:space="preserve">& </s>
            <s xml:id="echoid-s740" xml:space="preserve">però due coſe ſono, una è la ſignificata, & </s>
            <s xml:id="echoid-s741" xml:space="preserve">proposta opera, l’altra
              <lb/>
            è la ſigniſicante, cioè dimoſtratiua ragione. </s>
            <s xml:id="echoid-s742" xml:space="preserve">Tutti glieffetti adunque, & </s>
            <s xml:id="echoid-s743" xml:space="preserve">tutte l’opere, ò lauori delle Arti: </s>
            <s xml:id="echoid-s744" xml:space="preserve">tutte le concluſioni di tutte le ſci-
              <lb/>
            enze ſono le coſe ſignificate, ma le ragioni, le proue, le cauſe di quelle ſono le coſe ſignificanti, & </s>
            <s xml:id="echoid-s745" xml:space="preserve">queſto è perche il ſegno ſi riferiſce alla
              <lb/>
            coſa ſignificata, l’effetto alla cauſa, la concluſione alla proua. </s>
            <s xml:id="echoid-s746" xml:space="preserve">Ma per dichiaratione io dico, che ſignificare è per ſegni dimoſtrare, & </s>
            <s xml:id="echoid-s747" xml:space="preserve">
              <lb/>
            ſegnare, e imprimere il ſegno: </s>
            <s xml:id="echoid-s748" xml:space="preserve">là doue in ogni opera da ragione drizzata, & </s>
            <s xml:id="echoid-s749" xml:space="preserve">con dißegno finita è impreſſo il ſegno dell’ Artefice, cioè
              <lb/>
            la qualità, & </s>
            <s xml:id="echoid-s750" xml:space="preserve">la forma, che era nella mente di quello, perciò che l’artefice opera prima nell’intelletto, & </s>
            <s xml:id="echoid-s751" xml:space="preserve">concepe nellamente, & </s>
            <s xml:id="echoid-s752" xml:space="preserve">poi ſe-
              <lb/>
            gna la materia eſteriore dell’habito interiore.</s>
            <s xml:id="echoid-s753" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s754" xml:space="preserve">Specialmente nell’ Architettura.</s>
            <s xml:id="echoid-s755" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s756" xml:space="preserve">Percioch’ella ſopra ogn’ Arte, (ſignifica,) cioèrappreſenta le coſe alla uirtù, che conoſce, & </s>
            <s xml:id="echoid-s757" xml:space="preserve">concorre principalmente à formare il concetto
              <lb/>
            ſecondo l’intentione dell’ Arte; </s>
            <s xml:id="echoid-s758" xml:space="preserve">& </s>
            <s xml:id="echoid-s759" xml:space="preserve">queſto è propio ſignificare: </s>
            <s xml:id="echoid-s760" xml:space="preserve">ma eſſer ſignificato è propio eſſer rappreſentato al ſopradetto modo.</s>
            <s xml:id="echoid-s761" xml:space="preserve"/>
          </p>
          <note position="left" xml:space="preserve">70</note>
          <p>
            <s xml:id="echoid-s762" xml:space="preserve">De i ſegni alcuni ſono ſi à dentro, che ueramente ſono come cagione delle coſe, altri fanno una ſuperficiale, & </s>
            <s xml:id="echoid-s763" xml:space="preserve">debile istimatione delle coſe; </s>
            <s xml:id="echoid-s764" xml:space="preserve">lo
              <lb/>
            Architetto laſcia queſti ultimi ſegni all’Oratore, & </s>
            <s xml:id="echoid-s765" xml:space="preserve">al Poeta, & </s>
            <s xml:id="echoid-s766" xml:space="preserve">inſieme con la Dialettica, che è modo dell’artificioſo diſcorſo, abbraccia
              <lb/>
            quegli, perche neceßarij ſono, intimi, & </s>
            <s xml:id="echoid-s767" xml:space="preserve">concludenti.</s>
            <s xml:id="echoid-s768" xml:space="preserve"/>
          </p>
          <p>
            <s xml:id="echoid-s769" xml:space="preserve">Donde auuiene, che chi fa profesſione d’ Architetto, pare che nell’una, & </s>
            <s xml:id="echoid-s770" xml:space="preserve">l’altra parte eſſer debbia eſſercitato.</s>
            <s xml:id="echoid-s771" xml:space="preserve"/>
          </p>
          <p style="it">
            <s xml:id="echoid-s772" xml:space="preserve">Ogni agente nel grado, ch’egli tiene, eſſer deue perfetto, acciò che l’opera compita, & </s>
            <s xml:id="echoid-s773" xml:space="preserve">perfetta ſi ueda. </s>
            <s xml:id="echoid-s774" xml:space="preserve">Tre ſono gl’agenti delle coſe, il Diui-
              <lb/>
            no, il naturale, lo artificiale, cioè IDIO, La Natura, l’Huomo, noi parleremo dell’ huomo: </s>
            <s xml:id="echoid-s775" xml:space="preserve">s’adunque l’ Architettura è coſi </s>
          </p>
        </div>
      </text>
    </echo>
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